Jean and Linda – March

The sketchbook I started in January came back to me this month, with new additions from Linda. This first return is always interesting as it’s the first time we get a sense of how the exchange is going to work. It seemed that Linda had left some opportunities for me to work onto her pages – above I continues markmaking from her piece of collage and added some bright circles to her pale squares.

On this page added the collage pencil at the top of the page and my initials below Linda’s. I also added some letters to the inside of the envelope. I can see that Linda likes maps as much as I do! 

I’ve been collecting all the paper generated by day to day life lately to use in making art. Train travel is a source of interesting paper and I used timetables and tickets on this page. The timetable joins me in Northampton and Linda in London. 

I wanted to do as Linda had done and leave some pages with space for a response. On the page above I used a strip of collage tissue paper that has strips of maps and then  extended them upwards using watercolour. 

The process of stamping has rippled through the sketchbook circle over the last few weeks. I missed the sketchbook circle this year but one of the workshops was led by Stephen Fowler. I really enjoyed seeing the results of his workshop so I bought the book and began collecting the materials needed. Above is an initial experiment using thin foam stuck to corrugated card with some additional drawing. 

The sketchbook came in a wonderful envelope which I added to before returning to Linda. 

Helen and Jean February 2017

In February I received  sketchbook from Helen. It was handmade sketchbook, with different sorts of paper for the pages and bound very sturdily, so I think it will survive our exchange!

The pages inside were so interesting and I found that Helen’s approach and way of using collage is so like areas of collage I am interested in having come across the work of artists like Jo Urban, Alison Sye and Jeannette McEwan recently on social media.

Looking at Helen’s pages I was interested in the storytelling nature of them and I wanted to respond in an around them as well as by adding my own pages to follow on. Doing this with a new partner is a big step because it is hard to know how they will feel about additions being made to their pages.

First I added an extra page that could be used to view pages through.

I was a little more adventurous I added little details to the pages through using Washington tape, paper collage and drawing, trying to stick with the theme of the pages Linda had made.

For my own pages I began with two story telling pages using a range of materials. I’ve been collecting paper materials for some time now and the challenge is to find, group and attach images and text together. It is hard to say what comes first – sometimes its text, other times its shapes, colours or images. In these two cases there isn’t much text but what there is is quite significant: “notes from our village green” (taken from a book) and “I draw a new world”made up by me. At the moment constructing imaginary landscapes is a recurring theme in much of the art I make.

I also made a page based on an idea from Randall Plowman’s book “The Collage Workbook How to get started and stay inspired” published in 2012. This was to take three images, cut them into strips and stick them down in a mixed up pattern (right hand page). I left it to dry and returned to it several times feeling it was quite unsatisfactory but not knowing what to do with it. This morning I decided to “Fragment” it. Fragment is an app I use on the iPad and decided to use the same approach by cutting out and changing shapes within the image. I also ended up turning some cut outs around so that their patterns appeared on the next page.

This led me to go further, cutting out shapes to leave as holes and adding wash tape letters. On the other side of the page (below) I used a white pen and add drawn detail which worked effectively because the page was black. The holes revealed some fragments of the previous brightly coloured previous page made using watercolours and Derwent Intense pens.

For the second month I am ready to send my sketchbook on at the end of the month, quite a miracle! I wonder what Helen will make of it…

Jean and Linda January 2017

The sketchbook circle begins again for 2017. After three years choosing a sketchbook should be easier but it isn’t! Having made a sketchbook that turned out to be rather fragile and hardly survived a year’s exchange and worked in another with an unorthodox physical structure I decided to buy a sketchbook – but there’s so much choice. Time was running out and I was in London for urban sketching so I visited the wonderful Cornelissens, near the British Museum. There was a great choice and I settled on a quite small landscape sketchbook which I hope my partner, Linda, does not find too small.

Over the last few years I’ve been using collage more and more and so I began our pages with using found paper materials.Some of this turned out to relate to beginning a new creative project like the new year of a sketchbook circle.

I was lucky to go to a vintage or jumble sale recently where I got hold of some old dress patterns and astronomy magazines and they have begun appearing in what I’m making here and in other art that I make.

Since I began using collage more I’ve been a compulsive collector of bits and pieces when I’m out and about – I have quite a collection of train tickets which I feel sure will come handy some time. In these pages I used them almost like little window frames.

Over the years that I’ve been taking part in the sketchbook circle I’ve been very interested in the different ways of how artists might collaborate when working in the same sketchbook. I’ve begun to keep a list! I decided to make a page that would leave some space for my collaborator if she chooses to add her own art. I found the strip of map and it had a grid so this sparked the idea of extending this by using squares of collage materials and drawing. I wonder if Linda will develop this. Its so hard to predict how a new partner will work at the start of the year.

I managed to post the sketchbook in January, not allowing myself to fall behind at this early stage! I know that this first month when we send our books on its great to quite quickly receive one back so the momentum is not lost.

I looked forward to receiving my new book from my other partner, Helen, for February.

Jean and Carys – the complete sketchbook 2016

Here’s our sketchbook in its entirety!

Amanda and Jean – the completed exchange

Amanda managed to create an order and make a film of our sketchbook. It can be seen here:

Jean and Carys final exchange December 2016

December was our final exchange and Carys completed the remaining pages so the sketchbook is now full. I like the way she has extended her pink circles onto the previous pages here.

 

On one side of the pages Carys had cut through to take the advantage of using both sides of the pages. I feel like we could have done more of this but its harder to do than it first appears.

 

 

 

 

 

 

 

I like the way Carys has used handwriting and cut out letters within her paining on the pages.

On the other side Carys joined her final pages to the last ones of mine by continuing the printed patterns in painting and drawing. The final page was completed with a door that opens – a perfect way to move into the next sketchbook circle exchange!

 

 

 

I’ve enjoyed my sketchbook circle exchange with Carys this year. I made it rather challenging for us by having such a fragile sketchbook as I had underestimated how robust a shared sketchbook needs to be. Its a factor that maybe needs to be taken into account when we make our own sketchbooks for the circle.

Amanda and Jean 2016

Our sketchbook swap ended with my last return but being a completist I couldn’t help making one last page for December. I’ve been challenged to work in the panoramic shape that Amanda chose and over the months I’ve begun to enjoy it. It gives such scope to develop an image or pattern. Using PVA and pieces of tissue that I’d previously marked with ink I made the image below. At first it was going to be abstract but as so often happens it became a landscape and I began to make choices of collage that developed this.

I called it “Winter marks the landscape” and followed it up with a postcard sized further image.

The sketchbook Amanda and I swapped was different in physical form than any of the sketchbooks I’ve worked in over the last few years of taking part in the sketchbook circle. The long narrow pages and the way they could be moved around rather than worked on chronologically were sometimes challenging but always inspiring. Elements from the sketchbook and the individual pages often came back to me when the sketchbook was not with me: patterns, colours, textures, the shape of the pages and the way they could be interchanged. Amanda is making a container for the pages and I will be interested to see this. It will certainly be full of ideas and starting points to dip into. 

Jean and Carys November 2016

I received the sketchbook back from Carys with some interesting new pages.

I love these colours and labels hanging down into the pages. They can also hang down onto this patterned page below. When I designed the sketchbook I had in mind that each side of the pages might work together and this is a great way of trying to do that. I had lost sight of this possibility over the months. 

This page too uses layers and flaps in an interesting way. We’re just coming to the end of the sketchbook and still bringing in new ways of using the pages.

I wanted to try to use each side of the page to create a scene centred around the envelope window in the page. On this side I used the window as if it was a window in the side of a spaceship. I vaguely remembered the story of a dog sent into space! I also looked for words and phrases that might go with the scene. 

On the other side of the page I worked in a similar way. This scene uses the window less effectively and is more surreal in its use of collage and text. 

It will be interesting to see how our last swap completes the sketchbook. 

Amanda and Jean October 2016

Amanda and I continue our slightly off time exchange – we’re making all the exchanges but they don’t quite correspond with the 1st of the month. Luckily we’ve both equally held on to the sketchbook too long but it seems to have worked out overall. 

As the sketchbooks gets fuller it’s somehow harder to respond as I’m reluctant to make it even bigger than it is already. It’s a real challenge to my ideas of working in the same sketchbook and I think I must get better at working onto the pages instead of adding more pages. When I think this, usually when I haven’t got the sketchbook,  it seems like a great idea. When I get the sketchbook back each indiviudal page is so interesting that it seems wrong to work onto it.

As part of my ongoing one drawing a day I was stuck for want to draw so I leafed through the pages allowing small sections to catch my eye. I was especially attracted by the textile and sewn pages which were abstract but had such great marks and patterns. 

I later used this approach to make some small fragments to add to the sketchbook.

I used watercolour, fine pen and letter stamps. I could often see landscape like forms in Amanda’s pages, as well as interesting colour combinations. 

I returned the sketchbook to Amanda very late in November and I think maybe one more go some time in December before the sketchbook ends up with its originator. It will be interesting to see how Amanda records it digitally. 

Jean and Carys September

The sketchbook I had begun came back in September – despite moving house and the start back at school Carys was able to send it to me!

I love the way these small circles are both little abstracts in themselves but also little fragments of the landscape too.

It was quite hard to work out how the green page was made – it looked like it could have been painted or collaged from magazine pages. I’m interested in its aerial view qualities.

I tried to continue it using the blue of the page and some pens, further developing the map and aerial view feel of it. I think its lost something in moving from colour to line and pattern though.

we’re reaching the point in the sketchbook where we can see how many pages are left and how many months there are so we can pace ourselves. Although it would be easy to add pages to this sketchbook.

My own new contribution to this part of the sketchbook went completely off at a tangent using a picture and text from a damaged book I had been given and some stickers from IKEA. Its a bit of a mess and highlights how hard it is to choose and compose with found pictures and text. I often see artists do this and it looks so apt and perfect – this is very hard to achieve!

This sketchbook has another strand of pages on the other side of the concertina.

These intensively detailed and colourful pages are wonderful. Looking at them again now I’d like to go back to them and use them as a jumping off point.

I used collage and pen to make a response – using my favourite greens.

I also continued with the use of found and vintage paper on the subsequent pages. Some of these pages also have some layers and folds.

And finally I added a small Gelliplate monoprint that I made as part of a series during #Inktober and #PrintOctober – now I’m writing the blog post I realsie that this was supposed to be September!