abstract

Cherrie and Jean June 2018

Cherrie had made some wonderful additions in May and we’ve moved to the other side of the concertina pages!

img_4231.jpg

Below is the joining page, I like the way the landscape and buildings continue and develop here!

img_4232.jpgimg_4233.jpgimg_4234.jpgimg_4239.jpgimg_4240.jpg

Unfortunately I let time run out and rather rushed my pages in June! I tried this green experiment below and stamped some leaves onto it using a stamp pad and some leaves that I carved into lino. Unfortunately the ink would not dry so I had stick on top so that I could return the sketchbook. The surface was quite shiny and gluey so it wasn’t quite right for that type fink perhaps.

img_4245.jpgIMG_4246

IMG_4243

Just before I sent the sketchbook back I had a collage idea using some of the inspirations we were sent a few months ago and ended this month’s pages with this, at the last minute.

IMG_0612

Advertisements

Cherrie and Jean April 2018

A late blog post to catch up with April’s sketchbook circle pages. Firstly below are Cherrie’s from March. I love how the colours and collage materials create a connection between our pages.

I like this collage train ticket – reminds me that if I run out I can make my own!

This is the joining point for our pages, where flow from March into April using the landscape from Cherrie’s last page, into a landscape of mine and then some mark making using my Inktense pencils.

I visited Copenhagen during this month and went to an exhibition at Nordatlantens Brygge. One of the artist’s work caught my eye because of the intensity of colour and pattern and this was my memory of it.

I finished with a collage using some tickets and other collage materials – quite subdued after the last few pages of intense pink!

Cherrie and Jean – February 2018

Receiving a sketchbook for the first time from a new sketchbook circle partner is always a bog step. This time I opened the envelope and found a concertina sketchbook from Cherrie.

img_3667

Working a in a concertina sketchbook provides all sorts of interesting opportunities for continuity and using both sides of the pages. Cherrie has already begun cutting holes into the pages.

img_3668.jpg

I love the pages Cherrie has opened our sketchbook with – they have lots of the elements that I like – text, pattern, images, layers, ink, collage and printmaking.

img_3669.jpg

img_3670.jpg

I’ve tried to create some continuity between Cherrie’s last page and my first page y continuing the linear patterns and the colour scheme. I used some wax resist, collage and drawing too. I’ve also punched through the aged and added collage that can be seen through – hopefully we can incorporate these into the art on the back pages when we arrive at them.

img_3671.jpgimg_3672.jpg

I then added a different page using train tickets – half drawn onto and half not. I hope this hasn’t broken the flow too much.

img_3673.jpg

I then continued with the layered theme from earlier pages using collage and adding some Gelli plate mono printing straight onto the pages – always a huge risk and all the more so when the sketchbooks pages are continuously joined!

img_3674.jpgimg_3675.jpgimg_3676.jpg

I hope Cherrie was able to make something of the pages this month. After I had posted the sketchbook I continued to use the inspiration from the pages in my daily drawing leading me to some watercolours with additional drawing that I hope to take into printing.

Helen and Jean October 2017

This month when I received the sketchbook Helen had made some great Gelli plate prints!

She had add some line drawing to this one which I continued.

The natural detail and colour on these prints is lovely. I’d like to try this myself soon. My additions were also based around Gelli plate printmaking, onto tissue dress patterns and maps. I like the way the text on dressmaking patterns can be part of the image. Printing onto tissue also allows for drawing onto and onto the print using the quality of the paper.

I’ve been experimenting with small (A6) monoprints onto maps lately and above is a trial of a larger version for this sketchbook. I’ve been mainly blocking out using cut and turn shapes, looking for parts of the map to allow to show through, and later in the process, looking for parts of the print to show through. Drawing onto the prints often then turns them into a more pictorial form.

On the final page I included some map cutting. Initially I was going to use this to print throughout seeing it on the black paper page I was struck by the colour and detail of the map against the dark of the page.

.

Helen and Jean August 2017

IMG_6988IMG_6989IMG_6990

When I received the sketchbook from Helen I had good intentions about what I would add. There’s some much to respond to in the pages – the detail and pattern in the drawing, the pale and interesting collage and the natural forms.

IMG_6994IMG_6995IMG_6996As usual I am both satisfied and dissatisfied with my pages. The one I like least is the yellow, green and blue page with collage lines running down it. The facing page is the one I like best – made from leaf prints onto a Gelli plate onto a piece of map and then drawn onto. i’m a bit obsessed with colours and patterns of some maps I was recently given after a clear out at work. I haven’t quite settled on how to use them yet.

Helen had been using her linocuts in the pages of recent months and at the last minute I remembered to add a recent collagraph experiment. This coming academic year I want to reignite my interest in collagraph printmaking by learning new techniques and experimenting with different ways of marking the plate. In this one I printed with PVA and bubble wrap (white spots) and added carborundum to another PVA print (draw circles).

Helen and Jean April 2017

img_6569In April Helen returned the sketchbook with some interesting additions. She’s added some birds to my last page which fit effectively with the glimpses of landscape that can be seen through the gaps in the page.On the next page she made this great face themed collage.

img_6570On the next page there’s a vibrant red and yellow pattern page and a window with window box revealing a bird on the next page. I like the way we’re cutting through pages to reveal further images on other pages. The sketchbook circle craze for stamping is evident in the leaves and flowers in the window box.

img_6571

The window works equally effectively looking from the other side. I love the next page with the bird transfer and the various fragments of collage and stamping in my favourite colours.

 

 

img_6572

The final double pages continued the printed and stamped approach and one of them (the left hand one) had some folded pieces that opened.

 

 

img_6587

 

 

My first additions for April were to work onto the right hand page with some stamping and drawing, trying to pick up on the circles from the page and develop them further.

My next page explored something I’ve been meaning to try out for a while – representing a collection on a page using a frame or box. I used paper for this but I’ve since thought I might try corrugated card to get nearer to the box in a museum case feel that I’s been aiming for.

img_6588

I used collage materials from old books, magazines, leaflets and magazines as well as some stamping. They’re rather random in choice and I think either having a theme or choosing things that contrast would be better. The facing page has a collage based landscape with some drawing onto it.

img_6592-1

My final page was some Gelli plate printing onto the page of a vintage book with the potential for Helen to work onto maybe.

 

 

 

 

Jean and Linda January 2017

The sketchbook circle begins again for 2017. After three years choosing a sketchbook should be easier but it isn’t! Having made a sketchbook that turned out to be rather fragile and hardly survived a year’s exchange and worked in another with an unorthodox physical structure I decided to buy a sketchbook – but there’s so much choice. Time was running out and I was in London for urban sketching so I visited the wonderful Cornelissens, near the British Museum. There was a great choice and I settled on a quite small landscape sketchbook which I hope my partner, Linda, does not find too small.

Over the last few years I’ve been using collage more and more and so I began our pages with using found paper materials.Some of this turned out to relate to beginning a new creative project like the new year of a sketchbook circle.

I was lucky to go to a vintage or jumble sale recently where I got hold of some old dress patterns and astronomy magazines and they have begun appearing in what I’m making here and in other art that I make.

Since I began using collage more I’ve been a compulsive collector of bits and pieces when I’m out and about – I have quite a collection of train tickets which I feel sure will come handy some time. In these pages I used them almost like little window frames.

Over the years that I’ve been taking part in the sketchbook circle I’ve been very interested in the different ways of how artists might collaborate when working in the same sketchbook. I’ve begun to keep a list! I decided to make a page that would leave some space for my collaborator if she chooses to add her own art. I found the strip of map and it had a grid so this sparked the idea of extending this by using squares of collage materials and drawing. I wonder if Linda will develop this. Its so hard to predict how a new partner will work at the start of the year.

I managed to post the sketchbook in January, not allowing myself to fall behind at this early stage! I know that this first month when we send our books on its great to quite quickly receive one back so the momentum is not lost.

I looked forward to receiving my new book from my other partner, Helen, for February.

Amanda and Jean 2016

Our sketchbook swap ended with my last return but being a completist I couldn’t help making one last page for December. I’ve been challenged to work in the panoramic shape that Amanda chose and over the months I’ve begun to enjoy it. It gives such scope to develop an image or pattern. Using PVA and pieces of tissue that I’d previously marked with ink I made the image below. At first it was going to be abstract but as so often happens it became a landscape and I began to make choices of collage that developed this.


I called it “Winter marks the landscape” and followed it up with a postcard sized further image.


The sketchbook Amanda and I swapped was different in physical form than any of the sketchbooks I’ve worked in over the last few years of taking part in the sketchbook circle. The long narrow pages and the way they could be moved around rather than worked on chronologically were sometimes challenging but always inspiring. Elements from the sketchbook and the individual pages often came back to me when the sketchbook was not with me: patterns, colours, textures, the shape of the pages and the way they could be interchanged. Amanda is making a container for the pages and I will be interested to see this. It will certainly be full of ideas and starting points to dip into. 

Amanda and Jean October 2016

Amanda and I continue our slightly off time exchange – we’re making all the exchanges but they don’t quite correspond with the 1st of the month. Luckily we’ve both equally held on to the sketchbook too long but it seems to have worked out overall. 


As the sketchbooks gets fuller it’s somehow harder to respond as I’m reluctant to make it even bigger than it is already. It’s a real challenge to my ideas of working in the same sketchbook and I think I must get better at working onto the pages instead of adding more pages. When I think this, usually when I haven’t got the sketchbook,  it seems like a great idea. When I get the sketchbook back each indiviudal page is so interesting that it seems wrong to work onto it.


As part of my ongoing one drawing a day I was stuck for want to draw so I leafed through the pages allowing small sections to catch my eye. I was especially attracted by the textile and sewn pages which were abstract but had such great marks and patterns. 


I later used this approach to make some small fragments to add to the sketchbook.


I used watercolour, fine pen and letter stamps. I could often see landscape like forms in Amanda’s pages, as well as interesting colour combinations. 

I returned the sketchbook to Amanda very late in November and I think maybe one more go some time in December before the sketchbook ends up with its originator. It will be interesting to see how Amanda records it digitally. 

Jean and Carys September

img_5757The sketchbook I had begun came back in September – despite moving house and the start back at school Carys was able to send it to me!

I love the way these small circles are both little abstracts in themselves but also little fragments of the landscape too.

It was quite hard to work out how the green page was made – it looked like it could have been painted or collaged from magazine pages. I’m interested in its aerial view qualities.

img_5758

I tried to continue it using the blue of the page and some pens, further developing the map and aerial view feel of it. I think its lost something in moving from colour to line and pattern though.

we’re reaching the point in the sketchbook where we can see how many pages are left and how many months there are so we can pace ourselves. Although it would be easy to add pages to this sketchbook.

img_5759

My own new contribution to this part of the sketchbook went completely off at a tangent using a picture and text from a damaged book I had been given and some stickers from IKEA. Its a bit of a mess and highlights how hard it is to choose and compose with found pictures and text. I often see artists do this and it looks so apt and perfect – this is very hard to achieve!

img_5754This sketchbook has another strand of pages on the other side of the concertina.

These intensively detailed and colourful pages are wonderful. Looking at them again now I’d like to go back to them and use them as a jumping off point.

img_5755

I used collage and pen to make a response – using my favourite greens.

I also continued with the use of found and vintage paper on the subsequent pages. Some of these pages also have some layers and folds.

img_5756

And finally I added a small Gelliplate monoprint that I made as part of a series during #Inktober and #PrintOctober – now I’m writing the blog post I realsie that this was supposed to be September!