Receiving a sketchbook for the first time from a new sketchbook circle partner is always a bog step. This time I opened the envelope and found a concertina sketchbook from Cherrie.
Working a in a concertina sketchbook provides all sorts of interesting opportunities for continuity and using both sides of the pages. Cherrie has already begun cutting holes into the pages.
I love the pages Cherrie has opened our sketchbook with – they have lots of the elements that I like – text, pattern, images, layers, ink, collage and printmaking.
I’ve tried to create some continuity between Cherrie’s last page and my first page y continuing the linear patterns and the colour scheme. I used some wax resist, collage and drawing too. I’ve also punched through the aged and added collage that can be seen through – hopefully we can incorporate these into the art on the back pages when we arrive at them.
I then added a different page using train tickets – half drawn onto and half not. I hope this hasn’t broken the flow too much.
I then continued with the layered theme from earlier pages using collage and adding some Gelli plate mono printing straight onto the pages – always a huge risk and all the more so when the sketchbooks pages are continuously joined!
I hope Cherrie was able to make something of the pages this month. After I had posted the sketchbook I continued to use the inspiration from the pages in my daily drawing leading me to some watercolours with additional drawing that I hope to take into printing.
Starting a new circle always involves a big decision – choosing the sketchbook to exchange across the year. This year I found the inside of sketchbook made from Khadi paper in Paperchase and added my own cover. The paper is a nice texture and I hope there are enough pages to last throughout 2018 in my year long exchange with Meryl.
I made some pages using collage, watercolour and drawing just to get the exchange going. Starting an empty sketchbook might be the most challenging part of the circle because as we exchange there are always pages to look back on and take ideas and inspiration from.
I’m eagerly awaiting a sketchbook from my other sketchbook circle partner, Cherrie – I’ve a seen a glimpse of a page in the Facebook group.
I received Helen’s sketchbook at the beginning of December and the month whooshed by with no work in the sketchbook until the last days of the month.
Helen’s pages were wonderful in their colour and pattern.
I began with some collage and cutting, none of which I was very happy with it.
In late December I took part in a twitter reading group based around Susan Cooper’s novel The Dark is Rising. I made some collages in response to the reading of the early chapters. The collage on the right hand page below is one of these. You can see more about this reading group by searching #the artisrising #thedarkisreading and looking at the twitter account of poet Julia Bird @juliamarybird
Later I made some more imagination based collages – then of the left hand page is using material from astronomy magazines I was given. Both of these, I now see, may have been influences by watching too many episodes of Stargate SG1!
I have enjoyed my partnership with Helen and I was sad to return the sketchbook. Luckily I have a full photographic record to remind me of the exchange.
I received the sketchbook at the start of November – Linda and I have managed to keep to the start of each month all through the yearn 2017. Below is the envelope we’ve used for the year – I wish I had photographed it more regularly sit changed.
Here’s Linda’s pages from her time with the sketchbook in October:
Predictably, I love the map collage but the most intriguing page is the one with the hole in revealing a face peeping through. Most of my pages served the double purpose of being my drawing for each day as well as appearing in this sketchbook.
This the last time I send the sketchbook to Linda and we’re reaching the end of our sketchbook collaboration. I’d love to explore that half revealed face image more though…
This month when I received the sketchbook Helen had made some great Gelli plate prints!
She had add some line drawing to this one which I continued.
The natural detail and colour on these prints is lovely. I’d like to try this myself soon. My additions were also based around Gelli plate printmaking, onto tissue dress patterns and maps. I like the way the text on dressmaking patterns can be part of the image. Printing onto tissue also allows for drawing onto and onto the print using the quality of the paper.
I’ve been experimenting with small (A6) monoprints onto maps lately and above is a trial of a larger version for this sketchbook. I’ve been mainly blocking out using cut and turn shapes, looking for parts of the map to allow to show through, and later in the process, looking for parts of the print to show through. Drawing onto the prints often then turns them into a more pictorial form.
On the final page I included some map cutting. Initially I was going to use this to print throughout seeing it on the black paper page I was struck by the colour and detail of the map against the dark of the page.
When I received the sketchbook from Helen I had good intentions about what I would add. There’s some much to respond to in the pages – the detail and pattern in the drawing, the pale and interesting collage and the natural forms.
As usual I am both satisfied and dissatisfied with my pages. The one I like least is the yellow, green and blue page with collage lines running down it. The facing page is the one I like best – made from leaf prints onto a Gelli plate onto a piece of map and then drawn onto. i’m a bit obsessed with colours and patterns of some maps I was recently given after a clear out at work. I haven’t quite settled on how to use them yet.
Helen had been using her linocuts in the pages of recent months and at the last minute I remembered to add a recent collagraph experiment. This coming academic year I want to reignite my interest in collagraph printmaking by learning new techniques and experimenting with different ways of marking the plate. In this one I printed with PVA and bubble wrap (white spots) and added carborundum to another PVA print (draw circles).
In June Linda had created some pages that invited me to work into them. Its great to have such strong starting points to continue with, picking on shapes, colours, materials or techniques and trying to devise a way to go further without losing a sense of the original.
Here’s the first example of before and after:
and here’s the second:
and here’s one from the previous swap:
I wanted the new pages to perhaps give Linda the same opportunity to work into them further and that’s a challenge – to do something that’s enough, incomplete and open.
Finally I returned to a familiar theme – Rupert re-imagined. In this version Rupert is behind a hill wondering what could be going on…
Helen’s pages from May have such a strong sense of pattern made from collage, printmaking and drawing. There are recurring images of birds and the natural landscape running through the pages too.
My pages from June have connections to the patterns printmaking and natural forms. The right hand page was made first, using Gelli plate printing, with some marbling showing through. The page on the left was a way of exploring the image further by drawing it.
The lefthand page was a not very successful attempt at roller printing using acrylic paint with further exploration of circles as patterns using collage. I have just bought a circle punch which is a useful tool for collage!
The left hand page was a rather unsuccessful attempt at polystyrene block printing – the colours are too muddy and working straight onto the page is perhaps a mistake. The right hand page was fun to make – choosing and placing red found papers then over stamped with an eraser block that made a quarter of the flower and was rotated to create the larger tile.
We seem to have some emerging themes and techniques in common which is great at this half way stage of the sketchbook circle year.
In April Helen returned the sketchbook with some interesting additions. She’s added some birds to my last page which fit effectively with the glimpses of landscape that can be seen through the gaps in the page.On the next page she made this great face themed collage.
On the next page there’s a vibrant red and yellow pattern page and a window with window box revealing a bird on the next page. I like the way we’re cutting through pages to reveal further images on other pages. The sketchbook circle craze for stamping is evident in the leaves and flowers in the window box.
The window works equally effectively looking from the other side. I love the next page with the bird transfer and the various fragments of collage and stamping in my favourite colours.
The final double pages continued the printed and stamped approach and one of them (the left hand one) had some folded pieces that opened.
My first additions for April were to work onto the right hand page with some stamping and drawing, trying to pick up on the circles from the page and develop them further.
My next page explored something I’ve been meaning to try out for a while – representing a collection on a page using a frame or box. I used paper for this but I’ve since thought I might try corrugated card to get nearer to the box in a museum case feel that I’s been aiming for.
I used collage materials from old books, magazines, leaflets and magazines as well as some stamping. They’re rather random in choice and I think either having a theme or choosing things that contrast would be better. The facing page has a collage based landscape with some drawing onto it.
My final page was some Gelli plate printing onto the page of a vintage book with the potential for Helen to work onto maybe.
The sketchbook I started in January came back to me this month, with new additions from Linda. This first return is always interesting as it’s the first time we get a sense of how the exchange is going to work. It seemed that Linda had left some opportunities for me to work onto her pages – above I continues markmaking from her piece of collage and added some bright circles to her pale squares.
On this page added the collage pencil at the top of the page and my initials below Linda’s. I also added some letters to the inside of the envelope. I can see that Linda likes maps as much as I do!
I’ve been collecting all the paper generated by day to day life lately to use in making art. Train travel is a source of interesting paper and I used timetables and tickets on this page. The timetable joins me in Northampton and Linda in London.
I wanted to do as Linda had done and leave some pages with space for a response. On the page above I used a strip of collage tissue paper that has strips of maps and then extended them upwards using watercolour.
The process of stamping has rippled through the sketchbook circle over the last few weeks. I missed the sketchbook circle this year but one of the workshops was led by Stephen Fowler. I really enjoyed seeing the results of his workshop so I bought the book and began collecting the materials needed. Above is an initial experiment using thin foam stuck to corrugated card with some additional drawing.
The sketchbook came in a wonderful envelope which I added to before returning to Linda.