When a sketchbook circle starts one of the big decisions to make is what shall the sketchbook be like? The only constraint is that it should fit through a letterbox so that the circle can work by post. I could see some of the choices being made during January and as I looked through my box of sketchbooks that I could use none seemed quite right. Eventually I decided on a portrait 8 x 4 inch sketchbook but I had left it too late to order one from Pink Pig. Then I remembered the workshop I had been on when the #sketchbookcircle14 began – techniques for making your own book!
So last weekend I made my own hardback sketchbook with sewn in pages. I went a bit wild with the pages as I realised they could be made from any paper and be non-standard sizes, so that might affect the way Linda, my sketchbook partner, and I work in the sketchbook over the year.
The cover is made from an old map. Its only since I took part in the sketchbook circle that I’ve realised the potential of using different sorts of paper and at Christmas I came across a bag of old maps amongst some bric a brac for sale.
At the same time I was thinking about what I would put into the sketchbook. At the beginning of January I had been to Tate Britain to see the Late Turner exhibition. I had time to wander round Tate Britain and I came across Tony Cragg’s sculpture ‘Stack’ from 1975. Its so huge and the more I looked at the more I found to see. I settled down on the floor of the gallery and drew one side of it.
As I drew it, drawn by the shapes and natural colours I realised that it was very hard to do it justice with just the black pen I had with me. There were some splashes of bright colour amongst the browns, greys and blacks. There were so many textures as well – trying to show fabric, brick, wood and plaster. Drawing made me look so much more carefully, as usual. I only had time to draw one side of the cube. I photographed the other sides – but one side is too close to the wall to get far enough back. I’ve tried to recreate the cube in my sketchbook using the photos. I’ve also found someone who videoed the sculpture which is a great reminder – you can see this below. I plan to go back and draw the other three sides over the next few months (or years).
Later at home I began to think about exploring my drawing and the memory of the sculpture more and I made a representation using collage.
As i made this I found that I should have approached it in a different way – from the inside out. If I was doing this again (and I might) I would make a ‘behind’ layer to work on top of, which would get rid of much of the whiteness. I might make this using wax resist and ink and then work on top with collage. As I write about it the more I want to do it! I’d also like to recreate it as a collagraph plate and print it.
Here’s a link to Tony Cragg’s websitewhere you can see more of his work and here’s a Pinterest board I have begun to make.
I deliberately waited until my sketchbook circle partner had received the sketchbook before writing this post – so that I did not spoil the surprise. I’m looking forward to receiving Mary’s sketchbook and responding to her art!