Jean and Carys – the complete sketchbook 2016

Here’s our sketchbook in its entirety!

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Jean and Carys final exchange December 2016

img_6258December was our final exchange and Carys completed the remaining pages so the sketchbook is now full. I like the way she has extended her pink circles onto the previous pages here.


 

On one side of the pages Carys had cut through to take the advantage of using both sides of the pages. I feel like we could have done more of this but its harder to do than it first appears.

 

 

 

 

 

 

 

I like the way Carys has used handwriting and cut out letters within her paining on the pages.

On the other side Carys joined her final pages to the last ones of mine by continuing the printed patterns in painting and drawing. The final page was completed with a door that opens – a perfect way to move into the next sketchbook circle exchange!

 

 

 

I’ve enjoyed my sketchbook circle exchange with Carys this year. I made it rather challenging for us by having such a fragile sketchbook as I had underestimated how robust a shared sketchbook needs to be. Its a factor that maybe needs to be taken into account when we make our own sketchbooks for the circle.

Amanda and Jean 2016

Our sketchbook swap ended with my last return but being a completist I couldn’t help making one last page for December. I’ve been challenged to work in the panoramic shape that Amanda chose and over the months I’ve begun to enjoy it. It gives such scope to develop an image or pattern. Using PVA and pieces of tissue that I’d previously marked with ink I made the image below. At first it was going to be abstract but as so often happens it became a landscape and I began to make choices of collage that developed this.


I called it “Winter marks the landscape” and followed it up with a postcard sized further image.


The sketchbook Amanda and I swapped was different in physical form than any of the sketchbooks I’ve worked in over the last few years of taking part in the sketchbook circle. The long narrow pages and the way they could be moved around rather than worked on chronologically were sometimes challenging but always inspiring. Elements from the sketchbook and the individual pages often came back to me when the sketchbook was not with me: patterns, colours, textures, the shape of the pages and the way they could be interchanged. Amanda is making a container for the pages and I will be interested to see this. It will certainly be full of ideas and starting points to dip into. 

Jean and Carys November 2016

I received the sketchbook back from Carys with some interesting new pages.


I love these colours and labels hanging down into the pages. They can also hang down onto this patterned page below. When I designed the sketchbook I had in mind that each side of the pages might work together and this is a great way of trying to do that. I had lost sight of this possibility over the months. 


This page too uses layers and flaps in an interesting way. We’re just coming to the end of the sketchbook and still bringing in new ways of using the pages.


I wanted to try to use each side of the page to create a scene centred around the envelope window in the page. On this side I used the window as if it was a window in the side of a spaceship. I vaguely remembered the story of a dog sent into space! I also looked for words and phrases that might go with the scene. 


On the other side of the page I worked in a similar way. This scene uses the window less effectively and is more surreal in its use of collage and text. 


It will be interesting to see how our last swap completes the sketchbook. 

Amanda and Jean October 2016

Amanda and I continue our slightly off time exchange – we’re making all the exchanges but they don’t quite correspond with the 1st of the month. Luckily we’ve both equally held on to the sketchbook too long but it seems to have worked out overall. 


As the sketchbooks gets fuller it’s somehow harder to respond as I’m reluctant to make it even bigger than it is already. It’s a real challenge to my ideas of working in the same sketchbook and I think I must get better at working onto the pages instead of adding more pages. When I think this, usually when I haven’t got the sketchbook,  it seems like a great idea. When I get the sketchbook back each indiviudal page is so interesting that it seems wrong to work onto it.


As part of my ongoing one drawing a day I was stuck for want to draw so I leafed through the pages allowing small sections to catch my eye. I was especially attracted by the textile and sewn pages which were abstract but had such great marks and patterns. 


I later used this approach to make some small fragments to add to the sketchbook.


I used watercolour, fine pen and letter stamps. I could often see landscape like forms in Amanda’s pages, as well as interesting colour combinations. 

I returned the sketchbook to Amanda very late in November and I think maybe one more go some time in December before the sketchbook ends up with its originator. It will be interesting to see how Amanda records it digitally. 

Jean and Carys September

img_5757The sketchbook I had begun came back in September – despite moving house and the start back at school Carys was able to send it to me!

I love the way these small circles are both little abstracts in themselves but also little fragments of the landscape too.

It was quite hard to work out how the green page was made – it looked like it could have been painted or collaged from magazine pages. I’m interested in its aerial view qualities.

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I tried to continue it using the blue of the page and some pens, further developing the map and aerial view feel of it. I think its lost something in moving from colour to line and pattern though.

we’re reaching the point in the sketchbook where we can see how many pages are left and how many months there are so we can pace ourselves. Although it would be easy to add pages to this sketchbook.

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My own new contribution to this part of the sketchbook went completely off at a tangent using a picture and text from a damaged book I had been given and some stickers from IKEA. Its a bit of a mess and highlights how hard it is to choose and compose with found pictures and text. I often see artists do this and it looks so apt and perfect – this is very hard to achieve!

img_5754This sketchbook has another strand of pages on the other side of the concertina.

These intensively detailed and colourful pages are wonderful. Looking at them again now I’d like to go back to them and use them as a jumping off point.

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I used collage and pen to make a response – using my favourite greens.

I also continued with the use of found and vintage paper on the subsequent pages. Some of these pages also have some layers and folds.

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And finally I added a small Gelliplate monoprint that I made as part of a series during #Inktober and #PrintOctober – now I’m writing the blog post I realsie that this was supposed to be September!

Amanda and Jean August 

This month the monster came – our sketch book is getting out of hand, spilling out from the expanded envelope! Amanda had tied it up to hold it together and I’ve mainly kept the pages on the same order, inserting some extras here and there where they seem to fit.


It’s different to all the other sketchbooks I’ve worked in so far in that there’s only traces of a chronological order left, perhaps in our own photographs and blog posts. As I leaf through I come across pages that seem new, but I’m never sure whether they are new or I’m just noticing them this time as I’m seeing in a different way to last time I looked. I’ve found it hard to make any worthwhile prints this summer, making me feel that I’ve wasted my most important creating time. Daily drawing has continued since it’s such an established habit and hard to stop after nearly 1500 continuous posts.


This drawing from imagination was created for our sketchbook and posted as daily drawing. Made in the evening after an unproductive day I was surprised to get some positive comments from social media about it that encouraged me. This long thin form a feature of Amanda’s sketchbook that has interested me in itself, quite apart from what is on the pages themselves.


When it came time to put the piece of paper into the sketchbook as a page I found that it needed a ‘back’. I’ve enjoyed seeing and reading about Tilly Mack’s 100 marks drawing and decided I would impose a rule for this drawing. The rule was to pick up a pencil and start at the left and continue without stopping until I got the the right. This began with continuous line and then developed into repeated marks later. In the sketchbook the two pages spill over a little as the concertina is too long for our sketchbook. Here’s a link to Tilly’s blog Tilly Mack


Over the last few weeks I have come across the art of art of Jean McEwan – you can see it here: Jean McEwan

I love the way she is taking postcards and adding collage to change them. This afternoon I decided to have a go – I haven’t achieved anything as sophisticated as hers and in having a go I realise how hard it is to achieve the simplicity of her work.


These early attempts also relate to the pages made by Amanda below. In common  with the images made Jean McEwan these don’t include text and maybe that leaves them more open to the viewer’s interpretation.


As well the pages I’ve made and added some other pages caught my eye but I haven’t time to do anything with them now. I’ve taken a photo to remind me though.


I’ll be sending the monster back tomorrow to see if Amanda can tame it during September! Here it is, temporarily tamed for a journey back to Amanda.

Jean and Carys July 2016

This month Carys had created some lovely pages which could be read as mark making, or abstraction but also as landscape. I seem to see elements of landscape everywhere at the moment!

This led me to create a collage based abstract landscape using various tools and materials I had to hand. These are very much in a strand of ongoing collages that I’m making at the moment.

In the same way that aspects of landscape can be glimpsed in Carys’s latest pages these pages use landscape features with mixed up view points, moving from aerial view to distance and back in the same page space.

This was the only contribution I made to the sketchbook this month as I’m away in the last week of July and I wanted to do something and post it on time.