techniques

Helen and Jean – June 2017

I received Helen’s sketchbook at the start of June but didn’t’t open it till the third week of the month because of work!

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Its not a good idea to to do this as even just spending a few minutes looking can allow ideas to come to mind even when there isn’t time to work on them immediately.

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So this time my pages were quite an instant reaction as time was running out as the end of June approached.

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I love the different sorts of printmaking techniques that Helen has used.

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I worked onto the right hand page first on the pages above, cutting holes to allow the black page below to show through and adding some other paper such as the marbling as well. I then drew from the image with felt pens on the left hand page.

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I used a roller to make some printed circles and then added collage. During the weeks I was working on these pages I made my last work related train journey of the academic year and collected all my tickets to add to the collage collection. I used some up making this right hand page, trying to use the red part of the circle to create a repeating pattern.

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Inspired by Helen’s printmaking I had a go at printing these fish on the left hand page but I was very dissatisfied with them technically – I nearly ripped out the page! I tried stamping on the last page of the month – using a Hema eraser and creating one quarter of a pattern that I then rotated. Stamping onto a collage page of random reds allowed for various colours and patterns showing through the stamp.

In future months I’m going to open the sketchbooks and look at them when they arrive even when I haven’t got time to work on them, as I think ideas will come to me so that when I do have time the pages might be better in terms of ideas of quality of techniques used…

Helen and Jean April 2017

img_6569In April Helen returned the sketchbook with some interesting additions. She’s added some birds to my last page which fit effectively with the glimpses of landscape that can be seen through the gaps in the page.On the next page she made this great face themed collage.

img_6570On the next page there’s a vibrant red and yellow pattern page and a window with window box revealing a bird on the next page. I like the way we’re cutting through pages to reveal further images on other pages. The sketchbook circle craze for stamping is evident in the leaves and flowers in the window box.

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The window works equally effectively looking from the other side. I love the next page with the bird transfer and the various fragments of collage and stamping in my favourite colours.

 

 

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The final double pages continued the printed and stamped approach and one of them (the left hand one) had some folded pieces that opened.

 

 

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My first additions for April were to work onto the right hand page with some stamping and drawing, trying to pick up on the circles from the page and develop them further.

My next page explored something I’ve been meaning to try out for a while – representing a collection on a page using a frame or box. I used paper for this but I’ve since thought I might try corrugated card to get nearer to the box in a museum case feel that I’s been aiming for.

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I used collage materials from old books, magazines, leaflets and magazines as well as some stamping. They’re rather random in choice and I think either having a theme or choosing things that contrast would be better. The facing page has a collage based landscape with some drawing onto it.

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My final page was some Gelli plate printing onto the page of a vintage book with the potential for Helen to work onto maybe.

 

 

 

 

Jean and Linda January 2017

The sketchbook circle begins again for 2017. After three years choosing a sketchbook should be easier but it isn’t! Having made a sketchbook that turned out to be rather fragile and hardly survived a year’s exchange and worked in another with an unorthodox physical structure I decided to buy a sketchbook – but there’s so much choice. Time was running out and I was in London for urban sketching so I visited the wonderful Cornelissens, near the British Museum. There was a great choice and I settled on a quite small landscape sketchbook which I hope my partner, Linda, does not find too small.

Over the last few years I’ve been using collage more and more and so I began our pages with using found paper materials.Some of this turned out to relate to beginning a new creative project like the new year of a sketchbook circle.

I was lucky to go to a vintage or jumble sale recently where I got hold of some old dress patterns and astronomy magazines and they have begun appearing in what I’m making here and in other art that I make.

Since I began using collage more I’ve been a compulsive collector of bits and pieces when I’m out and about – I have quite a collection of train tickets which I feel sure will come handy some time. In these pages I used them almost like little window frames.

Over the years that I’ve been taking part in the sketchbook circle I’ve been very interested in the different ways of how artists might collaborate when working in the same sketchbook. I’ve begun to keep a list! I decided to make a page that would leave some space for my collaborator if she chooses to add her own art. I found the strip of map and it had a grid so this sparked the idea of extending this by using squares of collage materials and drawing. I wonder if Linda will develop this. Its so hard to predict how a new partner will work at the start of the year.

I managed to post the sketchbook in January, not allowing myself to fall behind at this early stage! I know that this first month when we send our books on its great to quite quickly receive one back so the momentum is not lost.

I looked forward to receiving my new book from my other partner, Helen, for February.

December 2016 receiving for the last time

Jean Edwards1At the very end of December I received my original sketchbook back from Linda, with her last pages completed and rather neatly that took us to the last page of the sketchbook, filling it completely. Over the last few months we had each adjusted our contributions to aim for this so it was great to see it happen.

I like the way Linda has continued my planets pages into her next page, whilst gradually changing the colours to more earth tones. Continuing to use print also allows for a gradual transition from one page to another.

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This continues onto to the next pages where  printing, collage and drawing make layers of colours and marks.

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The final pages of our sketchbook also use printmaking and drawing – techniques we’ve both used often in this sketchbook. We’ve often created these interesting surfaces from papers and techniques through this sketchbook.

I’ve enjoyed collaborating with Linda and looking back to the beginning where I made my own sketchbook its interesting to see the way we’ve sometimes used the different papers that made up the pages, sometimes extending them so that they fold in. I really should have left more space between the covers as we had tie the covers together after a while, as the sketchbook became fuller and began to burst out of its binding. I wonder if the fact that we had very little white paper in the sketchbook was helpful – the clean white page can be daunting sometimes.