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Helen and Jean April 2017

img_6569In April Helen returned the sketchbook with some interesting additions. She’s added some birds to my last page which fit effectively with the glimpses of landscape that can be seen through the gaps in the page.On the next page she made this great face themed collage.

img_6570On the next page there’s a vibrant red and yellow pattern page and a window with window box revealing a bird on the next page. I like the way we’re cutting through pages to reveal further images on other pages. The sketchbook circle craze for stamping is evident in the leaves and flowers in the window box.

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The window works equally effectively looking from the other side. I love the next page with the bird transfer and the various fragments of collage and stamping in my favourite colours.

 

 

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The final double pages continued the printed and stamped approach and one of them (the left hand one) had some folded pieces that opened.

 

 

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My first additions for April were to work onto the right hand page with some stamping and drawing, trying to pick up on the circles from the page and develop them further.

My next page explored something I’ve been meaning to try out for a while – representing a collection on a page using a frame or box. I used paper for this but I’ve since thought I might try corrugated card to get nearer to the box in a museum case feel that I’s been aiming for.

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I used collage materials from old books, magazines, leaflets and magazines as well as some stamping. They’re rather random in choice and I think either having a theme or choosing things that contrast would be better. The facing page has a collage based landscape with some drawing onto it.

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My final page was some Gelli plate printing onto the page of a vintage book with the potential for Helen to work onto maybe.

 

 

 

 

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Helen and Jean February 2017

In February I received  sketchbook from Helen. It was handmade sketchbook, with different sorts of paper for the pages and bound very sturdily, so I think it will survive our exchange!

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The pages inside were so interesting and I found that Helen’s approach and way of using collage is so like areas of collage I am interested in having come across the work of artists like Jo Urban, Alison Sye and Jeannette McEwan recently on social media.

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Looking at Helen’s pages I was interested in the storytelling nature of them and I wanted to respond in an around them as well as by adding my own pages to follow on. Doing this with a new partner is a big step because it is hard to know how they will feel about additions being made to their pages.

First I added an extra page that could be used to view pages through.

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I was a little more adventurous I added little details to the pages through using Washington tape, paper collage and drawing, trying to stick with the theme of the pages Linda had made.

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For my own pages I began with two story telling pages using a range of materials. I’ve been collecting paper materials for some time now and the challenge is to find, group and attach images and text together. It is hard to say what comes first – sometimes its text, other times its shapes, colours or images. In these two cases there isn’t much text but what there is is quite significant: “notes from our village green” (taken from a book) and “I draw a new world”made up by me. At the moment constructing imaginary landscapes is a recurring theme in much of the art I make.

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I also made a page based on an idea from Randall Plowman’s book “The Collage Workbook How to get started and stay inspired” published in 2012. This was to take three images, cut them into strips and stick them down in a mixed up pattern (right hand page). I left it to dry and returned to it several times feeling it was quite unsatisfactory but not knowing what to do with it. This morning I decided to “Fragment” it. Fragment is an app I use on the iPad and decided to use the same approach by cutting out and changing shapes within the image. I also ended up turning some cut outs around so that their patterns appeared on the next page.

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This led me to go further, cutting out shapes to leave as holes and adding wash tape letters. On the other side of the page (below) I used a white pen and add drawn detail which worked effectively because the page was black. The holes revealed some fragments of the previous brightly coloured previous page made using watercolours and Derwent Intense pens.

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For the second month I am ready to send my sketchbook on at the end of the month, quite a miracle! I wonder what Helen will make of it…

Jean and Carys September

img_5757The sketchbook I had begun came back in September – despite moving house and the start back at school Carys was able to send it to me!

I love the way these small circles are both little abstracts in themselves but also little fragments of the landscape too.

It was quite hard to work out how the green page was made – it looked like it could have been painted or collaged from magazine pages. I’m interested in its aerial view qualities.

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I tried to continue it using the blue of the page and some pens, further developing the map and aerial view feel of it. I think its lost something in moving from colour to line and pattern though.

we’re reaching the point in the sketchbook where we can see how many pages are left and how many months there are so we can pace ourselves. Although it would be easy to add pages to this sketchbook.

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My own new contribution to this part of the sketchbook went completely off at a tangent using a picture and text from a damaged book I had been given and some stickers from IKEA. Its a bit of a mess and highlights how hard it is to choose and compose with found pictures and text. I often see artists do this and it looks so apt and perfect – this is very hard to achieve!

img_5754This sketchbook has another strand of pages on the other side of the concertina.

These intensively detailed and colourful pages are wonderful. Looking at them again now I’d like to go back to them and use them as a jumping off point.

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I used collage and pen to make a response – using my favourite greens.

I also continued with the use of found and vintage paper on the subsequent pages. Some of these pages also have some layers and folds.

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And finally I added a small Gelliplate monoprint that I made as part of a series during #Inktober and #PrintOctober – now I’m writing the blog post I realsie that this was supposed to be September!

November receiving and sending

Over the last few swaps Linda and I have come to a mutual agreement to divide the last few pages equally so that we complete our sketchbook with the last pages in December. When I made the sketchbook in January I had tried to include enough pages and although we have added pages to the top and bottom of the existing pages we have only just had enough to finish. This has coincided with a busy autumn for both of us so maybe its just as well.

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Linda had made this page with some collage materials – I love the marbling. I haven’t done any marbling since I was a primary school teacher and this made me recall the wonder of the children when we lifted the paper from the water. I must have a go.

 

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The other page folded out into this amazing image! I love the use of the gold leaf we were sent and the found image of the Clangers looking in at me – its like I’m at the bottom of a hole or in another universe. I haven’t used my gold leaf yet as I’ve been too hesitant.

This inspired me to make a larger more pictorial image. I had made some very small Gelliplate prints in October so I made a much larger version  based on universes. Maybe those Clangers are out there on one of those planets!