This time round Mary started off a sketchbook to send to me whereas last time I started a sketchbook for her. Mary had chosen a small Moleskine with zig zag pages inside. Its so small that it will fit through my unbelievably small letterbox in future exchanges!
Mary had used each panel to make an image but there’s also a sense of continuity from panel to panel.
The challenge for me would be to maintain this continuity somehow – I had just seen that some artist teachers had achieved this last year. The last page that Mary had made reminded me of water – bubbles running up and down the page in watery colours. I opened the zigzag pages so I could see and work on the next four panels.
Taking inspiration from Mary’s panel I first of all used wax crayons to create some areas of resist and then used waterproof drawing inks to create watery leading to grassy effects across the panels. Whilst the washes dried I drew onto the damp pages with a dip pen and ink – some of these drawn marks spread out and some did not as the pages dried whilst I drew. I was able to work with accidental spreading of ink as well as deliberate drawn marks, going to back to overlap onto Mary’s last page.
I also picked up on Mary’s image of a grasshopper and found some images of fish and other insects in a damaged book that I had recently been given to use in collage and printmaking. Although I was looking for images I also came across some interesting sentences and added some of these to the pages as well:
‘The darkness of the night increased the scaly brilliancy which the phosphoric properties of these beautiful fish produce.’
‘The Herring (C. harengus) is of great and even national importance.’
The pictures were taken from an old natural history book, but the descriptions are sometimes quite poetic.
Its too early to say what Mary and I are creating in this book – whether it is a continuous series of images or something else. One of the interesting things about the sketchbook circle swapping is that we can’t predict what another artists will make of our art.
Last year I was quite hesitant about working onto the art of another artist – often clipping things in, photocopying and working onto the copy or going back and using empty pages. This year I worked back into Mary’s last page and I tried to leave some potential for continuity, spilling one of my images partially out onto the next page for Mary to use if she wants to.