sketchbook

Helen and Jean April 2017

img_6569In April Helen returned the sketchbook with some interesting additions. She’s added some birds to my last page which fit effectively with the glimpses of landscape that can be seen through the gaps in the page.On the next page she made this great face themed collage.

img_6570On the next page there’s a vibrant red and yellow pattern page and a window with window box revealing a bird on the next page. I like the way we’re cutting through pages to reveal further images on other pages. The sketchbook circle craze for stamping is evident in the leaves and flowers in the window box.

img_6571

The window works equally effectively looking from the other side. I love the next page with the bird transfer and the various fragments of collage and stamping in my favourite colours.

 

 

img_6572

The final double pages continued the printed and stamped approach and one of them (the left hand one) had some folded pieces that opened.

 

 

img_6587

 

 

My first additions for April were to work onto the right hand page with some stamping and drawing, trying to pick up on the circles from the page and develop them further.

My next page explored something I’ve been meaning to try out for a while – representing a collection on a page using a frame or box. I used paper for this but I’ve since thought I might try corrugated card to get nearer to the box in a museum case feel that I’s been aiming for.

img_6588

I used collage materials from old books, magazines, leaflets and magazines as well as some stamping. They’re rather random in choice and I think either having a theme or choosing things that contrast would be better. The facing page has a collage based landscape with some drawing onto it.

img_6592-1

My final page was some Gelli plate printing onto the page of a vintage book with the potential for Helen to work onto maybe.

 

 

 

 

Advertisements

Helen and Jean February 2017

In February I received  sketchbook from Helen. It was handmade sketchbook, with different sorts of paper for the pages and bound very sturdily, so I think it will survive our exchange!

img_6300

The pages inside were so interesting and I found that Helen’s approach and way of using collage is so like areas of collage I am interested in having come across the work of artists like Jo Urban, Alison Sye and Jeannette McEwan recently on social media.

img_6301img_6302img_6303

Looking at Helen’s pages I was interested in the storytelling nature of them and I wanted to respond in an around them as well as by adding my own pages to follow on. Doing this with a new partner is a big step because it is hard to know how they will feel about additions being made to their pages.

First I added an extra page that could be used to view pages through.

img_6343img_6344

I was a little more adventurous I added little details to the pages through using Washington tape, paper collage and drawing, trying to stick with the theme of the pages Linda had made.

img_6345

For my own pages I began with two story telling pages using a range of materials. I’ve been collecting paper materials for some time now and the challenge is to find, group and attach images and text together. It is hard to say what comes first – sometimes its text, other times its shapes, colours or images. In these two cases there isn’t much text but what there is is quite significant: “notes from our village green” (taken from a book) and “I draw a new world”made up by me. At the moment constructing imaginary landscapes is a recurring theme in much of the art I make.

img_6346

I also made a page based on an idea from Randall Plowman’s book “The Collage Workbook How to get started and stay inspired” published in 2012. This was to take three images, cut them into strips and stick them down in a mixed up pattern (right hand page). I left it to dry and returned to it several times feeling it was quite unsatisfactory but not knowing what to do with it. This morning I decided to “Fragment” it. Fragment is an app I use on the iPad and decided to use the same approach by cutting out and changing shapes within the image. I also ended up turning some cut outs around so that their patterns appeared on the next page.

img_6347

This led me to go further, cutting out shapes to leave as holes and adding wash tape letters. On the other side of the page (below) I used a white pen and add drawn detail which worked effectively because the page was black. The holes revealed some fragments of the previous brightly coloured previous page made using watercolours and Derwent Intense pens.

img_6348

For the second month I am ready to send my sketchbook on at the end of the month, quite a miracle! I wonder what Helen will make of it…

Jean and Carys final exchange December 2016

img_6258December was our final exchange and Carys completed the remaining pages so the sketchbook is now full. I like the way she has extended her pink circles onto the previous pages here.


 

On one side of the pages Carys had cut through to take the advantage of using both sides of the pages. I feel like we could have done more of this but its harder to do than it first appears.

 

 

 

 

 

 

 

I like the way Carys has used handwriting and cut out letters within her paining on the pages.

On the other side Carys joined her final pages to the last ones of mine by continuing the printed patterns in painting and drawing. The final page was completed with a door that opens – a perfect way to move into the next sketchbook circle exchange!

 

 

 

I’ve enjoyed my sketchbook circle exchange with Carys this year. I made it rather challenging for us by having such a fragile sketchbook as I had underestimated how robust a shared sketchbook needs to be. Its a factor that maybe needs to be taken into account when we make our own sketchbooks for the circle.

Amanda and Jean 2016

Our sketchbook swap ended with my last return but being a completist I couldn’t help making one last page for December. I’ve been challenged to work in the panoramic shape that Amanda chose and over the months I’ve begun to enjoy it. It gives such scope to develop an image or pattern. Using PVA and pieces of tissue that I’d previously marked with ink I made the image below. At first it was going to be abstract but as so often happens it became a landscape and I began to make choices of collage that developed this.


I called it “Winter marks the landscape” and followed it up with a postcard sized further image.


The sketchbook Amanda and I swapped was different in physical form than any of the sketchbooks I’ve worked in over the last few years of taking part in the sketchbook circle. The long narrow pages and the way they could be moved around rather than worked on chronologically were sometimes challenging but always inspiring. Elements from the sketchbook and the individual pages often came back to me when the sketchbook was not with me: patterns, colours, textures, the shape of the pages and the way they could be interchanged. Amanda is making a container for the pages and I will be interested to see this. It will certainly be full of ideas and starting points to dip into. 

Jean and Carys November 2016

I received the sketchbook back from Carys with some interesting new pages.


I love these colours and labels hanging down into the pages. They can also hang down onto this patterned page below. When I designed the sketchbook I had in mind that each side of the pages might work together and this is a great way of trying to do that. I had lost sight of this possibility over the months. 


This page too uses layers and flaps in an interesting way. We’re just coming to the end of the sketchbook and still bringing in new ways of using the pages.


I wanted to try to use each side of the page to create a scene centred around the envelope window in the page. On this side I used the window as if it was a window in the side of a spaceship. I vaguely remembered the story of a dog sent into space! I also looked for words and phrases that might go with the scene. 


On the other side of the page I worked in a similar way. This scene uses the window less effectively and is more surreal in its use of collage and text. 


It will be interesting to see how our last swap completes the sketchbook. 

Amanda and Jean October 2016

Amanda and I continue our slightly off time exchange – we’re making all the exchanges but they don’t quite correspond with the 1st of the month. Luckily we’ve both equally held on to the sketchbook too long but it seems to have worked out overall. 


As the sketchbooks gets fuller it’s somehow harder to respond as I’m reluctant to make it even bigger than it is already. It’s a real challenge to my ideas of working in the same sketchbook and I think I must get better at working onto the pages instead of adding more pages. When I think this, usually when I haven’t got the sketchbook,  it seems like a great idea. When I get the sketchbook back each indiviudal page is so interesting that it seems wrong to work onto it.


As part of my ongoing one drawing a day I was stuck for want to draw so I leafed through the pages allowing small sections to catch my eye. I was especially attracted by the textile and sewn pages which were abstract but had such great marks and patterns. 


I later used this approach to make some small fragments to add to the sketchbook.


I used watercolour, fine pen and letter stamps. I could often see landscape like forms in Amanda’s pages, as well as interesting colour combinations. 

I returned the sketchbook to Amanda very late in November and I think maybe one more go some time in December before the sketchbook ends up with its originator. It will be interesting to see how Amanda records it digitally. 

Jean and Carys September

img_5757The sketchbook I had begun came back in September – despite moving house and the start back at school Carys was able to send it to me!

I love the way these small circles are both little abstracts in themselves but also little fragments of the landscape too.

It was quite hard to work out how the green page was made – it looked like it could have been painted or collaged from magazine pages. I’m interested in its aerial view qualities.

img_5758

I tried to continue it using the blue of the page and some pens, further developing the map and aerial view feel of it. I think its lost something in moving from colour to line and pattern though.

we’re reaching the point in the sketchbook where we can see how many pages are left and how many months there are so we can pace ourselves. Although it would be easy to add pages to this sketchbook.

img_5759

My own new contribution to this part of the sketchbook went completely off at a tangent using a picture and text from a damaged book I had been given and some stickers from IKEA. Its a bit of a mess and highlights how hard it is to choose and compose with found pictures and text. I often see artists do this and it looks so apt and perfect – this is very hard to achieve!

img_5754This sketchbook has another strand of pages on the other side of the concertina.

These intensively detailed and colourful pages are wonderful. Looking at them again now I’d like to go back to them and use them as a jumping off point.

img_5755

I used collage and pen to make a response – using my favourite greens.

I also continued with the use of found and vintage paper on the subsequent pages. Some of these pages also have some layers and folds.

img_5756

And finally I added a small Gelliplate monoprint that I made as part of a series during #Inktober and #PrintOctober – now I’m writing the blog post I realsie that this was supposed to be September!

Jean and Carys July 2016

This month Carys had created some lovely pages which could be read as mark making, or abstraction but also as landscape. I seem to see elements of landscape everywhere at the moment!

This led me to create a collage based abstract landscape using various tools and materials I had to hand. These are very much in a strand of ongoing collages that I’m making at the moment.

In the same way that aspects of landscape can be glimpsed in Carys’s latest pages these pages use landscape features with mixed up view points, moving from aerial view to distance and back in the same page space.

This was the only contribution I made to the sketchbook this month as I’m away in the last week of July and I wanted to do something and post it on time.

Amanda and Jean – June 2016

This month things got in the way of our exchange and so I didn’t receive the sketchbook from Amanda. In some ways this was good in that the month was so busy at work that I might have neglected it, had it arrived. By the end of June things had eased up a bit so I decided to make a few June pages and send them to Amanda anyway. The beauty of the sketchbook Amanda made for us is that it’s such an unusual shape that even in its absence the size and shape of the pages can still inspire me! During the month of June I also acquired some new materials – Derwent Inktense pencils. Often a new tool or product can be a source of ideas, just in that one needs to go back to the experimentation phase.


On these pages I’ve used combinations of masking fluid, watercolour and Inktense pencils. I’ve had fun trying out different effects although I still regret not buying the Inktense colour sticks instead of the pencils when I had the chance. Some things these pages illustrate are my increasing use of colour, exploration of the overlap between drawing and painting and inclination to work from imagination. The sketchbook circle experience has been instrumental in supporting me to do this. Before the sketchbook circle I rarely, if ever, worked from anything but observation.

I’ve sent these pages off to Amanda so she can add them in where they will best fit  – our sketchbook is also quite loose leaf in structure so in time we’ll never know that there was a summer time blip!