Cherrie retuned me some inspiring pages – looking at Cherrie’s pages has made me start looking out for used postage stamps to use in my work. She took up the people imagery from what we’d been sent out in the monthly envelopes as well.
Cherrie had begun to use an area where there had been an ink spillage and I continued with this making a pattern to go into and over it.
We’re alos beginning to encounter the holes showing through to the other side that we put in in the early months of using the sketchbook.
I finished with a pattern double page using book pages, while acrylic, Intense pencils, watercolour, pen and collage. Mine are much more rigid than Cherrie’s pages. I wonder if these squares were influenced by my working up towards September’s John Vernon Lord square inch a day drawing challenge run by the House of Illustration.
Cherrie had made some wonderful additions in May and we’ve moved to the other side of the concertina pages!
Below is the joining page, I like the way the landscape and buildings continue and develop here!
Unfortunately I let time run out and rather rushed my pages in June! I tried this green experiment below and stamped some leaves onto it using a stamp pad and some leaves that I carved into lino. Unfortunately the ink would not dry so I had stick on top so that I could return the sketchbook. The surface was quite shiny and gluey so it wasn’t quite right for that type fink perhaps.
Just before I sent the sketchbook back I had a collage idea using some of the inspirations we were sent a few months ago and ended this month’s pages with this, at the last minute.
A late blog post to catch up with April’s sketchbook circle pages. Firstly below are Cherrie’s from March. I love how the colours and collage materials create a connection between our pages.
I like this collage train ticket – reminds me that if I run out I can make my own!
This is the joining point for our pages, where flow from March into April using the landscape from Cherrie’s last page, into a landscape of mine and then some mark making using my Inktense pencils.
I visited Copenhagen during this month and went to an exhibition at Nordatlantens Brygge. One of the artist’s work caught my eye because of the intensity of colour and pattern and this was my memory of it.
I finished with a collage using some tickets and other collage materials – quite subdued after the last few pages of intense pink!
When I got the sketchbook back in March I was surprised and interested by Meryl’s additions which were unlike any others I’d had so far.
Meryl had added some graphic novel like pages set in space – I context i often use in collage, from interest and because I have a pile of Sky at night magazines. The three photos below are of the pages hen they arrived.
While I decided what to do on my pages I couldn’t resist adding some colour to Meryl’s pages.
Meryl had left space on her last page for me to continue. I was luck yo to sport some superhero wrapping paper in Tesco who came in handy, along with my trusty Sky at night magazines, wash tape and contrasting with this watercolour.
I like the idea that Meryl has begun of a loose storyline and I left the next page for her to continue on with.
Meryl added this great PicCollage of the pages:
and it was put into the title picture of the Facebook group!
Receiving a sketchbook for the first time from a new sketchbook circle partner is always a bog step. This time I opened the envelope and found a concertina sketchbook from Cherrie.
Working a in a concertina sketchbook provides all sorts of interesting opportunities for continuity and using both sides of the pages. Cherrie has already begun cutting holes into the pages.
I love the pages Cherrie has opened our sketchbook with – they have lots of the elements that I like – text, pattern, images, layers, ink, collage and printmaking.
I’ve tried to create some continuity between Cherrie’s last page and my first page y continuing the linear patterns and the colour scheme. I used some wax resist, collage and drawing too. I’ve also punched through the aged and added collage that can be seen through – hopefully we can incorporate these into the art on the back pages when we arrive at them.
I then added a different page using train tickets – half drawn onto and half not. I hope this hasn’t broken the flow too much.
I then continued with the layered theme from earlier pages using collage and adding some Gelli plate mono printing straight onto the pages – always a huge risk and all the more so when the sketchbooks pages are continuously joined!
I hope Cherrie was able to make something of the pages this month. After I had posted the sketchbook I continued to use the inspiration from the pages in my daily drawing leading me to some watercolours with additional drawing that I hope to take into printing.
I received the sketchbook that I began back from Linda – we’ve managed to keep it in the same envelope since the beginning I think.
Some of Linda’s pages allowed me to respond on the page and others gave me ideas to respond on new pages. The page with black pen drawing reminded me of the work of two artists who I’ve come across and liked for a while. One is Jan Brewerton whose strongly patterned drawings and prints are so striking and the other is Fiona Humphrey, an artist printmaker who makes linocuts with strong linear marks and patterns.
I liked the facing page made of papers from a visit abroad. I had just returned from Norway so I tried to use things I’d brought home to make a similar page. I made a new page using some marbling that I drew on to following up the mark making approach from the earlier page.
I also added to Linda’s page of stamps and her page of flower drawings.
One of my new pages was made from collage from various sources and the other followed up Linda’s black pen page so I hope she’ll want to add to it. The different ways we all interact with our sketchbook partners is of great interest to me and something I hope to investigate more fully.
In June Linda had created some pages that invited me to work into them. Its great to have such strong starting points to continue with, picking on shapes, colours, materials or techniques and trying to devise a way to go further without losing a sense of the original.
Here’s the first example of before and after:
and here’s the second:
and here’s one from the previous swap:
I wanted the new pages to perhaps give Linda the same opportunity to work into them further and that’s a challenge – to do something that’s enough, incomplete and open.
Finally I returned to a familiar theme – Rupert re-imagined. In this version Rupert is behind a hill wondering what could be going on…
Helen’s pages from May have such a strong sense of pattern made from collage, printmaking and drawing. There are recurring images of birds and the natural landscape running through the pages too.
My pages from June have connections to the patterns printmaking and natural forms. The right hand page was made first, using Gelli plate printing, with some marbling showing through. The page on the left was a way of exploring the image further by drawing it.
The lefthand page was a not very successful attempt at roller printing using acrylic paint with further exploration of circles as patterns using collage. I have just bought a circle punch which is a useful tool for collage!
The left hand page was a rather unsuccessful attempt at polystyrene block printing – the colours are too muddy and working straight onto the page is perhaps a mistake. The right hand page was fun to make – choosing and placing red found papers then over stamped with an eraser block that made a quarter of the flower and was rotated to create the larger tile.
We seem to have some emerging themes and techniques in common which is great at this half way stage of the sketchbook circle year.