Here’s our sketchbook in its entirety!
This month the monster came – our sketch book is getting out of hand, spilling out from the expanded envelope! Amanda had tied it up to hold it together and I’ve mainly kept the pages on the same order, inserting some extras here and there where they seem to fit.
It’s different to all the other sketchbooks I’ve worked in so far in that there’s only traces of a chronological order left, perhaps in our own photographs and blog posts. As I leaf through I come across pages that seem new, but I’m never sure whether they are new or I’m just noticing them this time as I’m seeing in a different way to last time I looked. I’ve found it hard to make any worthwhile prints this summer, making me feel that I’ve wasted my most important creating time. Daily drawing has continued since it’s such an established habit and hard to stop after nearly 1500 continuous posts.
This drawing from imagination was created for our sketchbook and posted as daily drawing. Made in the evening after an unproductive day I was surprised to get some positive comments from social media about it that encouraged me. This long thin form a feature of Amanda’s sketchbook that has interested me in itself, quite apart from what is on the pages themselves.
When it came time to put the piece of paper into the sketchbook as a page I found that it needed a ‘back’. I’ve enjoyed seeing and reading about Tilly Mack’s 100 marks drawing and decided I would impose a rule for this drawing. The rule was to pick up a pencil and start at the left and continue without stopping until I got the the right. This began with continuous line and then developed into repeated marks later. In the sketchbook the two pages spill over a little as the concertina is too long for our sketchbook. Here’s a link to Tilly’s blog Tilly Mack
Over the last few weeks I have come across the art of art of Jean McEwan – you can see it here: Jean McEwan
I love the way she is taking postcards and adding collage to change them. This afternoon I decided to have a go – I haven’t achieved anything as sophisticated as hers and in having a go I realise how hard it is to achieve the simplicity of her work.
These early attempts also relate to the pages made by Amanda below. In common with the images made Jean McEwan these don’t include text and maybe that leaves them more open to the viewer’s interpretation.
This time round Mary started off a sketchbook to send to me whereas last time I started a sketchbook for her. Mary had chosen a small Moleskine with zig zag pages inside. Its so small that it will fit through my unbelievably small letterbox in future exchanges!
Mary had used each panel to make an image but there’s also a sense of continuity from panel to panel.
The challenge for me would be to maintain this continuity somehow – I had just seen that some artist teachers had achieved this last year. The last page that Mary had made reminded me of water – bubbles running up and down the page in watery colours. I opened the zigzag pages so I could see and work on the next four panels.
Taking inspiration from Mary’s panel I first of all used wax crayons to create some areas of resist and then used waterproof drawing inks to create watery leading to grassy effects across the panels. Whilst the washes dried I drew onto the damp pages with a dip pen and ink – some of these drawn marks spread out and some did not as the pages dried whilst I drew. I was able to work with accidental spreading of ink as well as deliberate drawn marks, going to back to overlap onto Mary’s last page.
I also picked up on Mary’s image of a grasshopper and found some images of fish and other insects in a damaged book that I had recently been given to use in collage and printmaking. Although I was looking for images I also came across some interesting sentences and added some of these to the pages as well:
‘The darkness of the night increased the scaly brilliancy which the phosphoric properties of these beautiful fish produce.’
‘The Herring (C. harengus) is of great and even national importance.’
The pictures were taken from an old natural history book, but the descriptions are sometimes quite poetic.
Its too early to say what Mary and I are creating in this book – whether it is a continuous series of images or something else. One of the interesting things about the sketchbook circle swapping is that we can’t predict what another artists will make of our art.
Last year I was quite hesitant about working onto the art of another artist – often clipping things in, photocopying and working onto the copy or going back and using empty pages. This year I worked back into Mary’s last page and I tried to leave some potential for continuity, spilling one of my images partially out onto the next page for Mary to use if she wants to.