Tony Cragg Tate Britain

October – receiving and responding

At the beginning of October I received the sketchbook started by Mary. Mary had added these pages.

2015-10-30 16.40.47I like the dark print on the bubble print background and it reminds me of the chine colle I use when I am printing collagraphs. The background of the image joins to the map on the next page and the text is from some of the vintage paper I’d put into the back pocket of the sketchbook last month. It fits the map so beautifully!

Mary had also made these pages from ink painting, collage drawing and printing. I enjoyed adding to it with more collage and drawing. Over the last two years of working together we have become much more collaborative in our approach to the pages. In this second year especially we tend to leave space for each other on the pages.

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The next page had the last of pink that had spread through so many pages earlier this year. I happened to have just made a small monoprint using the Gelliplate in pink and blue so this was perfect to add and develop on the page. Gelliplate monoprinting is a resource and process I have come to through the sketchbook circle and enjoyed very much. During #printoctober I made and posted a monoprint on a vintage book page like this every day.

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When I made the next pages I had just returned from the Ai Weiwei exhibition at the Royal Academy. I had seen so many instances of material and objects combined and confined within frameworks. This reminded me of Tony Cragg’s ‘Stack’, something I drew in my other sketchbook circle sketchbook.

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In this double page I used a lot of random collage to fill in between the card struts. The image below is constructed from photos of the textures and materials I saw in the Ai Weiwei exhibiton.

Processed with Moldiv

Processed with Moldiv

2015-11-08 15.21.24After I had finished my pages and was packing up the sketchbook to go back to Mary I came across these fishes, hiding away in the back pocket. It was too late but I hope they return to me next time so I can make a home for them in one of the last pages!

 

 

 

 

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January 2015 sending…

When a sketchbook circle starts one of the big decisions to make is what shall the sketchbook be like? The only constraint is that it should fit through a letterbox so that the circle can work by post. I could see some of the choices being made during January and as I looked through my box of sketchbooks that I could use none seemed quite right. Eventually I decided on a portrait 8 x 4 inch sketchbook but I had left it too late to order one from Pink Pig. Then I remembered the workshop I had been on when the #sketchbookcircle14 began – techniques for making your own book!

2015-01-24 16.08.11So last weekend I made my own hardback sketchbook with sewn in pages. I went a bit wild with the pages as I realised they could be made from any paper and be non-standard sizes, so that might affect the way Linda, my sketchbook partner, and I work in the sketchbook over the year.

2015-01-24 16.11.09The cover is made from an old map. Its only since I took part in the sketchbook circle that I’ve realised the potential of using different sorts of paper and at Christmas I came across a bag of old maps amongst some bric a brac for sale.

At the same time I was thinking about what I would put into the sketchbook. At the beginning of January I had been to Tate Britain to see the Late Turner exhibition. I had time to wander round Tate Britain and I came across Tony Cragg’s sculpture ‘Stack’ from 1975. Its so huge and the more I looked at the more I found to see. I settled down on the floor of the gallery and drew one side of it.

2015-01-25 11.41.01As I drew it, drawn by the shapes and natural colours I realised that it was very hard to do it justice with just the black pen I had with me. There were some splashes of bright colour amongst the browns, greys and blacks. There were so many textures as well – trying to show fabric, brick, wood and plaster. Drawing made me look so much more carefully, as usual. I only had time to draw one side of the 2015-01-25 11.40.31cube. I photographed the other sides – but one side is too close to the wall to get far enough back. I’ve tried to recreate the cube in my sketchbook using the photos. I’ve also found someone who videoed the sculpture which is a great reminder – you can see this below. I plan to go back and draw the other three sides over the next few months (or years).

Later at home I began to think about exploring my drawing and the memory of the sculpture more and I made a representation using collage.

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As i made this I found that I should have approached it in a different way – from the inside out. If I was doing this again (and I might) I would make a ‘behind’ layer to work on top of, which would get rid of much of the whiteness. I might make this using wax resist and ink and then work on top with collage. As I write about it the more I want to do it! I’d also like to recreate it as a collagraph plate and print it.

Here’s a link to Tony Cragg’s websitewhere you can see more of his work and here’s a Pinterest board I have begun to make.

I deliberately waited until my sketchbook circle partner had received the sketchbook before writing this post – so that I did not spoil the surprise. I’m looking forward to receiving Mary’s sketchbook and responding to her art!