At the beginning of October I received the sketchbook started by Mary. Mary had added these pages.
I like the dark print on the bubble print background and it reminds me of the chine colle I use when I am printing collagraphs. The background of the image joins to the map on the next page and the text is from some of the vintage paper I’d put into the back pocket of the sketchbook last month. It fits the map so beautifully!
Mary had also made these pages from ink painting, collage drawing and printing. I enjoyed adding to it with more collage and drawing. Over the last two years of working together we have become much more collaborative in our approach to the pages. In this second year especially we tend to leave space for each other on the pages.
The next page had the last of pink that had spread through so many pages earlier this year. I happened to have just made a small monoprint using the Gelliplate in pink and blue so this was perfect to add and develop on the page. Gelliplate monoprinting is a resource and process I have come to through the sketchbook circle and enjoyed very much. During #printoctober I made and posted a monoprint on a vintage book page like this every day.
When I made the next pages I had just returned from the Ai Weiwei exhibition at the Royal Academy. I had seen so many instances of material and objects combined and confined within frameworks. This reminded me of Tony Cragg’s ‘Stack’, something I drew in my other sketchbook circle sketchbook.
In this double page I used a lot of random collage to fill in between the card struts. The image below is constructed from photos of the textures and materials I saw in the Ai Weiwei exhibiton.
After I had finished my pages and was packing up the sketchbook to go back to Mary I came across these fishes, hiding away in the back pocket. It was too late but I hope they return to me next time so I can make a home for them in one of the last pages!