texture

Helen and Jean – June 2017

I received Helen’s sketchbook at the start of June but didn’t’t open it till the third week of the month because of work!

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Its not a good idea to to do this as even just spending a few minutes looking can allow ideas to come to mind even when there isn’t time to work on them immediately.

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So this time my pages were quite an instant reaction as time was running out as the end of June approached.

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I love the different sorts of printmaking techniques that Helen has used.

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I worked onto the right hand page first on the pages above, cutting holes to allow the black page below to show through and adding some other paper such as the marbling as well. I then drew from the image with felt pens on the left hand page.

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I used a roller to make some printed circles and then added collage. During the weeks I was working on these pages I made my last work related train journey of the academic year and collected all my tickets to add to the collage collection. I used some up making this right hand page, trying to use the red part of the circle to create a repeating pattern.

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Inspired by Helen’s printmaking I had a go at printing these fish on the left hand page but I was very dissatisfied with them technically – I nearly ripped out the page! I tried stamping on the last page of the month – using a Hema eraser and creating one quarter of a pattern that I then rotated. Stamping onto a collage page of random reds allowed for various colours and patterns showing through the stamp.

In future months I’m going to open the sketchbooks and look at them when they arrive even when I haven’t got time to work on them, as I think ideas will come to me so that when I do have time the pages might be better in terms of ideas of quality of techniques used…

Amanda and Jean 2016

Our sketchbook swap ended with my last return but being a completist I couldn’t help making one last page for December. I’ve been challenged to work in the panoramic shape that Amanda chose and over the months I’ve begun to enjoy it. It gives such scope to develop an image or pattern. Using PVA and pieces of tissue that I’d previously marked with ink I made the image below. At first it was going to be abstract but as so often happens it became a landscape and I began to make choices of collage that developed this.


I called it “Winter marks the landscape” and followed it up with a postcard sized further image.


The sketchbook Amanda and I swapped was different in physical form than any of the sketchbooks I’ve worked in over the last few years of taking part in the sketchbook circle. The long narrow pages and the way they could be moved around rather than worked on chronologically were sometimes challenging but always inspiring. Elements from the sketchbook and the individual pages often came back to me when the sketchbook was not with me: patterns, colours, textures, the shape of the pages and the way they could be interchanged. Amanda is making a container for the pages and I will be interested to see this. It will certainly be full of ideas and starting points to dip into. 

Jean and Carys November 2016

I received the sketchbook back from Carys with some interesting new pages.


I love these colours and labels hanging down into the pages. They can also hang down onto this patterned page below. When I designed the sketchbook I had in mind that each side of the pages might work together and this is a great way of trying to do that. I had lost sight of this possibility over the months. 


This page too uses layers and flaps in an interesting way. We’re just coming to the end of the sketchbook and still bringing in new ways of using the pages.


I wanted to try to use each side of the page to create a scene centred around the envelope window in the page. On this side I used the window as if it was a window in the side of a spaceship. I vaguely remembered the story of a dog sent into space! I also looked for words and phrases that might go with the scene. 


On the other side of the page I worked in a similar way. This scene uses the window less effectively and is more surreal in its use of collage and text. 


It will be interesting to see how our last swap completes the sketchbook. 

Jean and Carys September

img_5757The sketchbook I had begun came back in September – despite moving house and the start back at school Carys was able to send it to me!

I love the way these small circles are both little abstracts in themselves but also little fragments of the landscape too.

It was quite hard to work out how the green page was made – it looked like it could have been painted or collaged from magazine pages. I’m interested in its aerial view qualities.

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I tried to continue it using the blue of the page and some pens, further developing the map and aerial view feel of it. I think its lost something in moving from colour to line and pattern though.

we’re reaching the point in the sketchbook where we can see how many pages are left and how many months there are so we can pace ourselves. Although it would be easy to add pages to this sketchbook.

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My own new contribution to this part of the sketchbook went completely off at a tangent using a picture and text from a damaged book I had been given and some stickers from IKEA. Its a bit of a mess and highlights how hard it is to choose and compose with found pictures and text. I often see artists do this and it looks so apt and perfect – this is very hard to achieve!

img_5754This sketchbook has another strand of pages on the other side of the concertina.

These intensively detailed and colourful pages are wonderful. Looking at them again now I’d like to go back to them and use them as a jumping off point.

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I used collage and pen to make a response – using my favourite greens.

I also continued with the use of found and vintage paper on the subsequent pages. Some of these pages also have some layers and folds.

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And finally I added a small Gelliplate monoprint that I made as part of a series during #Inktober and #PrintOctober – now I’m writing the blog post I realsie that this was supposed to be September!

Jean and Carys – receiving and sending March 2016

2016-03-30 12.20.15It isn’t until you get the sketchbook that you began back from your partner that you find out whether what you did in January was interesting enough to inspire a response.

Carys had added to my pages and made new pages of her own so I knew that she had been able to make something of my strangely made envelope page sketchbook. Unfortunately one page had stuck to another so I had to try very carefully to ease them apart. When we’re still working in our sketchbook its always a danger and something that’s happened before.

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I’ve partly stuck the bits back together and worked onto a group of the pages to disguise the damaged bits so they will become part of the image and part of the wear and tear of a shared sketchbook that is subject time pressure and the demands of postage.

Lots of my pages had been quite blue to match the pages and cover so it was great that Carys had added more varied colours.

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I liked Carys addition of the pen with the images flowing from it and I used this to make a new page using the patterns from the page itself and the colours and marks from previous pages. This led me to two new pages.

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The one on the left was an attempt to connect to the image seen through the window in the page and the one of the left was something I was making on the day that I finished the March pages and got ready to send the sketchbook back. This was an imaginary map-like drawing called ‘The Progress of Water’. I made this for my ongoing daily drawing project and it was partly inspired by running ink down a concertina made from Khadi paper.

The sketchbook works on the front and the back of the pages so there a few other pages to see and develop.

 

I liked the way these pages have layers, flap and labels added, making the already different pages even less flat and two dimensional. Cays uses words in her art and that’s something I do, but haven’t much in this sketchbook yet.

I added some collage and drawing to one of Carys’s pages and added some more layers of paper from Gelli plate printing and vintage paper collage.

December 2016 receiving for the last time

Jean Edwards1At the very end of December I received my original sketchbook back from Linda, with her last pages completed and rather neatly that took us to the last page of the sketchbook, filling it completely. Over the last few months we had each adjusted our contributions to aim for this so it was great to see it happen.

I like the way Linda has continued my planets pages into her next page, whilst gradually changing the colours to more earth tones. Continuing to use print also allows for a gradual transition from one page to another.

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This continues onto to the next pages where  printing, collage and drawing make layers of colours and marks.

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The final pages of our sketchbook also use printmaking and drawing – techniques we’ve both used often in this sketchbook. We’ve often created these interesting surfaces from papers and techniques through this sketchbook.

I’ve enjoyed collaborating with Linda and looking back to the beginning where I made my own sketchbook its interesting to see the way we’ve sometimes used the different papers that made up the pages, sometimes extending them so that they fold in. I really should have left more space between the covers as we had tie the covers together after a while, as the sketchbook became fuller and began to burst out of its binding. I wonder if the fact that we had very little white paper in the sketchbook was helpful – the clean white page can be daunting sometimes.

 

December 2015 – sending back for the last time

In December Mary sent me the sketchbook she had started back to me to for the last time.

The first pages I found were these, which continued from the pages I had made. Mary often combines deep colours and different patterns together, making her pages very dense and layered. These pages take up the pink that we’ve often used throughout this sketchbook as well as using different papers and ink. I love the feeling of looking into a mysterious landscape that these pages create.

2015-11-08 15.21.24From last time I sent this sketchbook back I knew I wanted to include the fish that I had found in the pocket at the last minute. I had four pages left to use so I decided to follow Mary’s example of an imaginary environment and create somewhere for the fish to live across all four pages. This has been the advantage of Mary’s choice of a zig zag sketchbook. We have been able to use single panels or continuous panels depending on our creative impulse. I used some of the experimental  Gelli plate sheets I’ve made to create the background and then some pink collage bits and pieces, chosen to create a link back to Mary’s earlier pages.

I also added other collage materials – ink dribbling, old maps and pieces cut from other monoprinted papers. During the sketchbook circle the approach of allowing an image to evolve from the materials has become a part of what I do and led me to using my imagination much more than I used to. See examples from Mary, Linda and other participants on the Facebook page has helped me with this. Abandoning the idea that I might have a fixed outcome in my mind that I am trying to translate onto to paper has been liberating.

2016-01-01 10.53.55I also wanted to connect these last pages to the back cover which has Mary’s small daughter’s hand print and some splashes. It was these splashes that made me think the fish could be bursting out from the water and be joined by some more ghostly fish to sit on Hannah’s hand. The waving hand of the person leaving could be us leaving this sketchbook complete after our year of exchanging. I tried add some gold leaf that we’d received in a mailout with mixed success!

As I looked back I found that Mary had returned to one of out previous pages and added an extra page. I like this window onto the strange world of Rupert – it almost looks like a projection onto the sky!

2015-07-04 12.03.19I’ve enjoyed this second year of exchanging a sketchbook with Mary. I think we’ve evolved a more connected way of using the pages than we had last year. We’ve left space on pages for each other to use, we’ve added layers on top as flaps or extra pages and we’ve sometimes worked continuously on sequences of pages. Maybe its also related to Mary’s choice of sketchbook – the flowing pages of the zigzag book instead of sequences of double pages. Certainly our sketchbook seems almost sculptural when spread out! With hindsight we could have made more of this feature thinking about looking through pages – maybe next year…

 

 

 

 

 

May 2015 receiving and responding

2015-05-25 17.43.31In May Linda sent me the sketchbook I had started with some interesting new additions. I didn’t work on it until the end of the month in one quite concentrated burst just before I sent it back to her.

I like this use of textured wall paper in printing and rubbing. I’m always on the look out for interesting textures to use in my own collagraphs and in other types of printmaking with students.

2015-05-25 17.42.58Linda had continued to use some of the collage materials and in this image going across two pages

I love the placing of these shells against the more abstract collage and textures – it reminds me of a stage set or the aerial view of a beach.

The next pages were also one image and could be pulled out to show more of the image. This is something I had just added to the sketchbook I returned to Mary. by coincidence! It is this page that sparked off a response for me this time.

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As I looked at these pages they made me think about pathways in the garden – paving slabs, stones and gravel. Maybe its the time of year and being able to spend more time outside in my own garden. I was working at the table in the spare bedroom and from here I can look down on my garden. I kept to the brown and natural tones that Linda had used, partly because I had just bought some new Tombow pens in brown shades.

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This pull out image is a continuation of Linda’s pages going from her more abstract use of textures and patterns to a more representational ‘picture’ athough the space on my page is both an aerial view and a front on view. The leaf shapes are based on plants in my border at the moment (end of May). In my own garden the pathways are gravel and on my next page I decided to take a closer look at the gravel – often overlooked and taken for granted.

I collected some pieces of gravel at random to draw and paint. The range of colours, shapes and patterns is surprising.

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I enjoyed taking a closer look at each piece. I painted each in watercolour and then drew detail onto each piece after the paint had dried. I now I have exaggerated the colours a little!

At around this time a friend bought me some masking fluid. I often give her lifts to art classes and from time to time she gives me some art related supplies – although she needn’t, its always interesting to be given something I didn’t even know I wanted! This was the case with the masking fluid. I’ve sen it in shops, never bought it, but once I had it play began! I’ve used it on the next two pages.

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On the left hand page I continued the exploring of gravel colours and shapes and on the right hand page I moved onto different sized circles. On both of these pages I used the masking fluid like wax in batik, painting it onto layers of different coloured ink or paint working from lighter to darker. Peeling it off after to reveal the images was very satisfying.

The pages of the sketchbook moved from abstract to representational and back this time and some new materials have been used – watercolour paint and paper and masking fluid. In writing this post I was struck  by how I didn’t respond directly to the shells page although now I look at the photos of it its such an interesting and striking page – maybe next time…

April 2015 receiving and responding

In April Mary returned her sketchbook to me with some new and vibrantly coloured pages.

These sea blue fishy pages continued the natural theme from earlier pages.

These sea blue fishy pages continued the natural theme from earlier pages.

The reds and pinks of the next few pages using layers of collage, drawing and text were a dramatic contrast.

The reds and pinks of the next few pages using layers of collage, drawing and text were a dramatic contrast.

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Mary often uses text in her pages and its something I would like to try in my own pages and other art.

I love these almost science fiction pages with other secret worlds hidden behind and almost ready to burst through.

I love these almost science fiction pages with other secret worlds hidden behind and almost ready to burst through.

I tried to join my next pages to the marbling of Mary's last page and incorporate the pink in blotches on the next few pages. I used a dip pen and ink and watercolour.

I tried to join my next pages to the marbling of Mary’s last page and incorporate the pink in blotches on the next few pages. I used a dip pen and ink and watercolour.

The map features became more evident across the pages and then I tried to transform back to a landscape. This didn't work out as I had hoped and I did consider cutting these pages out.

The map features became more evident across the pages and then I tried to transform back to a landscape. This didn’t work out as I had hoped and I did consider cutting these pages out.

At this point (almost at the point of posting) I was reminded by discussion in the Facebook group that we had been sent an envelope of collage. I went back and used some fo he collage to work on one of th earlier pages and these last two pages that I was dissatisfied with.

I enjoyed adding collage to the marbling page and luckily there was more marbling in the collage pack so I was able to extend the pages and continue working on them from the top and bottom of the concertina page.

I enjoyed adding collage to the marbling page and luckily there was more marbling in the collage pack so I was able to extend the pages and continue working on them from the top and bottom of the concertina page.

I tried to rescue the last two pages by adding collage but they are still my least favourite pages so far.

I tried to rescue the last two pages by adding collage but they are still my least favourite pages so far. I wonder if Mary will be able to do something with them to rescue them!