pages

Jean and Linda – September 2017

I received the sketchbook that I began back from Linda – we’ve managed to keep it in the same envelope since the beginning I think.

Some of Linda’s pages allowed me to respond on the page and others gave me ideas to respond on new pages. The page with black pen drawing reminded me of the work of two artists who I’ve come across and liked for a while. One is Jan Brewerton whose strongly patterned drawings and prints are so striking and the other is Fiona Humphrey, an artist printmaker who makes linocuts with strong linear marks and patterns.

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I liked the facing page made of papers from a visit abroad. I had just returned from Norway so I tried to use things I’d brought home to make a similar page. I made a new page using some marbling that I drew on to following up the mark making approach from the earlier page.

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I also added to Linda’s page of stamps and her page of flower drawings.

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One of my new pages was made from collage from various sources and the other followed up Linda’s black pen page so I hope she’ll want to add to it. The different ways we all interact with our sketchbook partners is of great interest to me and something I hope to investigate more fully.

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Helen and Jean August 2017

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When I received the sketchbook from Helen I had good intentions about what I would add. There’s some much to respond to in the pages – the detail and pattern in the drawing, the pale and interesting collage and the natural forms.

IMG_6994IMG_6995IMG_6996As usual I am both satisfied and dissatisfied with my pages. The one I like least is the yellow, green and blue page with collage lines running down it. The facing page is the one I like best – made from leaf prints onto a Gelli plate onto a piece of map and then drawn onto. i’m a bit obsessed with colours and patterns of some maps I was recently given after a clear out at work. I haven’t quite settled on how to use them yet.

Helen had been using her linocuts in the pages of recent months and at the last minute I remembered to add a recent collagraph experiment. This coming academic year I want to reignite my interest in collagraph printmaking by learning new techniques and experimenting with different ways of marking the plate. In this one I printed with PVA and bubble wrap (white spots) and added carborundum to another PVA print (draw circles).

Jean and Linda July 2017

In June Linda had created some pages that invited me to work into them. Its great to have such strong starting points to continue with, picking on shapes, colours, materials or techniques and trying to devise a way to go further without losing a sense of the original.

Here’s the first example of before and after:

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and here’s the second:

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and here’s one from the previous swap:

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I wanted the new pages to perhaps give Linda the same opportunity to work into them further and that’s a challenge – to do something that’s enough, incomplete and open.

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Finally I returned to a familiar theme – Rupert re-imagined. In this version Rupert is behind a hill wondering what could be going on…fullsizeoutput_d91

Helen and Jean June 2017

Helen’s pages from May have such a strong sense of pattern made from collage, printmaking and drawing. There are recurring images of birds and the natural landscape running through the pages too.

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My pages from June have connections to the patterns printmaking and natural forms. The right hand page was made first, using Gelli plate printing, with some marbling showing through. The page on the left was a way of exploring the image further by drawing it.

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The lefthand page was a not very successful attempt at roller printing using acrylic paint with further exploration of circles as patterns using collage. I have just bought a circle punch which is a useful tool for collage!

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The left hand page was a rather unsuccessful attempt at polystyrene block printing – the colours are too muddy and working straight onto the page is perhaps a mistake. The right hand page was fun to make – choosing and placing red found papers then over stamped with an eraser block that made a quarter of the flower and was rotated to create the larger tile.

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We seem to have some emerging themes and techniques in common which is great at this half way stage of the sketchbook circle year.

Helen and Jean April 2017

img_6569In April Helen returned the sketchbook with some interesting additions. She’s added some birds to my last page which fit effectively with the glimpses of landscape that can be seen through the gaps in the page.On the next page she made this great face themed collage.

img_6570On the next page there’s a vibrant red and yellow pattern page and a window with window box revealing a bird on the next page. I like the way we’re cutting through pages to reveal further images on other pages. The sketchbook circle craze for stamping is evident in the leaves and flowers in the window box.

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The window works equally effectively looking from the other side. I love the next page with the bird transfer and the various fragments of collage and stamping in my favourite colours.

 

 

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The final double pages continued the printed and stamped approach and one of them (the left hand one) had some folded pieces that opened.

 

 

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My first additions for April were to work onto the right hand page with some stamping and drawing, trying to pick up on the circles from the page and develop them further.

My next page explored something I’ve been meaning to try out for a while – representing a collection on a page using a frame or box. I used paper for this but I’ve since thought I might try corrugated card to get nearer to the box in a museum case feel that I’s been aiming for.

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I used collage materials from old books, magazines, leaflets and magazines as well as some stamping. They’re rather random in choice and I think either having a theme or choosing things that contrast would be better. The facing page has a collage based landscape with some drawing onto it.

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My final page was some Gelli plate printing onto the page of a vintage book with the potential for Helen to work onto maybe.

 

 

 

 

Jean and Linda – March


The sketchbook I started in January came back to me this month, with new additions from Linda. This first return is always interesting as it’s the first time we get a sense of how the exchange is going to work. It seemed that Linda had left some opportunities for me to work onto her pages – above I continues markmaking from her piece of collage and added some bright circles to her pale squares.

On this page added the collage pencil at the top of the page and my initials below Linda’s. I also added some letters to the inside of the envelope. I can see that Linda likes maps as much as I do! 

I’ve been collecting all the paper generated by day to day life lately to use in making art. Train travel is a source of interesting paper and I used timetables and tickets on this page. The timetable joins me in Northampton and Linda in London. 

I wanted to do as Linda had done and leave some pages with space for a response. On the page above I used a strip of collage tissue paper that has strips of maps and then  extended them upwards using watercolour. 

The process of stamping has rippled through the sketchbook circle over the last few weeks. I missed the sketchbook circle this year but one of the workshops was led by Stephen Fowler. I really enjoyed seeing the results of his workshop so I bought the book and began collecting the materials needed. Above is an initial experiment using thin foam stuck to corrugated card with some additional drawing. 

The sketchbook came in a wonderful envelope which I added to before returning to Linda. 

Helen and Jean February 2017

In February I received  sketchbook from Helen. It was handmade sketchbook, with different sorts of paper for the pages and bound very sturdily, so I think it will survive our exchange!

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The pages inside were so interesting and I found that Helen’s approach and way of using collage is so like areas of collage I am interested in having come across the work of artists like Jo Urban, Alison Sye and Jeannette McEwan recently on social media.

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Looking at Helen’s pages I was interested in the storytelling nature of them and I wanted to respond in an around them as well as by adding my own pages to follow on. Doing this with a new partner is a big step because it is hard to know how they will feel about additions being made to their pages.

First I added an extra page that could be used to view pages through.

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I was a little more adventurous I added little details to the pages through using Washington tape, paper collage and drawing, trying to stick with the theme of the pages Linda had made.

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For my own pages I began with two story telling pages using a range of materials. I’ve been collecting paper materials for some time now and the challenge is to find, group and attach images and text together. It is hard to say what comes first – sometimes its text, other times its shapes, colours or images. In these two cases there isn’t much text but what there is is quite significant: “notes from our village green” (taken from a book) and “I draw a new world”made up by me. At the moment constructing imaginary landscapes is a recurring theme in much of the art I make.

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I also made a page based on an idea from Randall Plowman’s book “The Collage Workbook How to get started and stay inspired” published in 2012. This was to take three images, cut them into strips and stick them down in a mixed up pattern (right hand page). I left it to dry and returned to it several times feeling it was quite unsatisfactory but not knowing what to do with it. This morning I decided to “Fragment” it. Fragment is an app I use on the iPad and decided to use the same approach by cutting out and changing shapes within the image. I also ended up turning some cut outs around so that their patterns appeared on the next page.

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This led me to go further, cutting out shapes to leave as holes and adding wash tape letters. On the other side of the page (below) I used a white pen and add drawn detail which worked effectively because the page was black. The holes revealed some fragments of the previous brightly coloured previous page made using watercolours and Derwent Intense pens.

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For the second month I am ready to send my sketchbook on at the end of the month, quite a miracle! I wonder what Helen will make of it…

Jean and Linda January 2017

The sketchbook circle begins again for 2017. After three years choosing a sketchbook should be easier but it isn’t! Having made a sketchbook that turned out to be rather fragile and hardly survived a year’s exchange and worked in another with an unorthodox physical structure I decided to buy a sketchbook – but there’s so much choice. Time was running out and I was in London for urban sketching so I visited the wonderful Cornelissens, near the British Museum. There was a great choice and I settled on a quite small landscape sketchbook which I hope my partner, Linda, does not find too small.

Over the last few years I’ve been using collage more and more and so I began our pages with using found paper materials.Some of this turned out to relate to beginning a new creative project like the new year of a sketchbook circle.

I was lucky to go to a vintage or jumble sale recently where I got hold of some old dress patterns and astronomy magazines and they have begun appearing in what I’m making here and in other art that I make.

Since I began using collage more I’ve been a compulsive collector of bits and pieces when I’m out and about – I have quite a collection of train tickets which I feel sure will come handy some time. In these pages I used them almost like little window frames.

Over the years that I’ve been taking part in the sketchbook circle I’ve been very interested in the different ways of how artists might collaborate when working in the same sketchbook. I’ve begun to keep a list! I decided to make a page that would leave some space for my collaborator if she chooses to add her own art. I found the strip of map and it had a grid so this sparked the idea of extending this by using squares of collage materials and drawing. I wonder if Linda will develop this. Its so hard to predict how a new partner will work at the start of the year.

I managed to post the sketchbook in January, not allowing myself to fall behind at this early stage! I know that this first month when we send our books on its great to quite quickly receive one back so the momentum is not lost.

I looked forward to receiving my new book from my other partner, Helen, for February.

Jean and Carys final exchange December 2016

img_6258December was our final exchange and Carys completed the remaining pages so the sketchbook is now full. I like the way she has extended her pink circles onto the previous pages here.


 

On one side of the pages Carys had cut through to take the advantage of using both sides of the pages. I feel like we could have done more of this but its harder to do than it first appears.

 

 

 

 

 

 

 

I like the way Carys has used handwriting and cut out letters within her paining on the pages.

On the other side Carys joined her final pages to the last ones of mine by continuing the printed patterns in painting and drawing. The final page was completed with a door that opens – a perfect way to move into the next sketchbook circle exchange!

 

 

 

I’ve enjoyed my sketchbook circle exchange with Carys this year. I made it rather challenging for us by having such a fragile sketchbook as I had underestimated how robust a shared sketchbook needs to be. Its a factor that maybe needs to be taken into account when we make our own sketchbooks for the circle.