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Helen and Jean April 2017

img_6569In April Helen returned the sketchbook with some interesting additions. She’s added some birds to my last page which fit effectively with the glimpses of landscape that can be seen through the gaps in the page.On the next page she made this great face themed collage.

img_6570On the next page there’s a vibrant red and yellow pattern page and a window with window box revealing a bird on the next page. I like the way we’re cutting through pages to reveal further images on other pages. The sketchbook circle craze for stamping is evident in the leaves and flowers in the window box.

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The window works equally effectively looking from the other side. I love the next page with the bird transfer and the various fragments of collage and stamping in my favourite colours.

 

 

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The final double pages continued the printed and stamped approach and one of them (the left hand one) had some folded pieces that opened.

 

 

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My first additions for April were to work onto the right hand page with some stamping and drawing, trying to pick up on the circles from the page and develop them further.

My next page explored something I’ve been meaning to try out for a while – representing a collection on a page using a frame or box. I used paper for this but I’ve since thought I might try corrugated card to get nearer to the box in a museum case feel that I’s been aiming for.

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I used collage materials from old books, magazines, leaflets and magazines as well as some stamping. They’re rather random in choice and I think either having a theme or choosing things that contrast would be better. The facing page has a collage based landscape with some drawing onto it.

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My final page was some Gelli plate printing onto the page of a vintage book with the potential for Helen to work onto maybe.

 

 

 

 

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Jean and Linda – March


The sketchbook I started in January came back to me this month, with new additions from Linda. This first return is always interesting as it’s the first time we get a sense of how the exchange is going to work. It seemed that Linda had left some opportunities for me to work onto her pages – above I continues markmaking from her piece of collage and added some bright circles to her pale squares.

On this page added the collage pencil at the top of the page and my initials below Linda’s. I also added some letters to the inside of the envelope. I can see that Linda likes maps as much as I do! 

I’ve been collecting all the paper generated by day to day life lately to use in making art. Train travel is a source of interesting paper and I used timetables and tickets on this page. The timetable joins me in Northampton and Linda in London. 

I wanted to do as Linda had done and leave some pages with space for a response. On the page above I used a strip of collage tissue paper that has strips of maps and then  extended them upwards using watercolour. 

The process of stamping has rippled through the sketchbook circle over the last few weeks. I missed the sketchbook circle this year but one of the workshops was led by Stephen Fowler. I really enjoyed seeing the results of his workshop so I bought the book and began collecting the materials needed. Above is an initial experiment using thin foam stuck to corrugated card with some additional drawing. 

The sketchbook came in a wonderful envelope which I added to before returning to Linda. 

Helen and Jean February 2017

In February I received  sketchbook from Helen. It was handmade sketchbook, with different sorts of paper for the pages and bound very sturdily, so I think it will survive our exchange!

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The pages inside were so interesting and I found that Helen’s approach and way of using collage is so like areas of collage I am interested in having come across the work of artists like Jo Urban, Alison Sye and Jeannette McEwan recently on social media.

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Looking at Helen’s pages I was interested in the storytelling nature of them and I wanted to respond in an around them as well as by adding my own pages to follow on. Doing this with a new partner is a big step because it is hard to know how they will feel about additions being made to their pages.

First I added an extra page that could be used to view pages through.

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I was a little more adventurous I added little details to the pages through using Washington tape, paper collage and drawing, trying to stick with the theme of the pages Linda had made.

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For my own pages I began with two story telling pages using a range of materials. I’ve been collecting paper materials for some time now and the challenge is to find, group and attach images and text together. It is hard to say what comes first – sometimes its text, other times its shapes, colours or images. In these two cases there isn’t much text but what there is is quite significant: “notes from our village green” (taken from a book) and “I draw a new world”made up by me. At the moment constructing imaginary landscapes is a recurring theme in much of the art I make.

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I also made a page based on an idea from Randall Plowman’s book “The Collage Workbook How to get started and stay inspired” published in 2012. This was to take three images, cut them into strips and stick them down in a mixed up pattern (right hand page). I left it to dry and returned to it several times feeling it was quite unsatisfactory but not knowing what to do with it. This morning I decided to “Fragment” it. Fragment is an app I use on the iPad and decided to use the same approach by cutting out and changing shapes within the image. I also ended up turning some cut outs around so that their patterns appeared on the next page.

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This led me to go further, cutting out shapes to leave as holes and adding wash tape letters. On the other side of the page (below) I used a white pen and add drawn detail which worked effectively because the page was black. The holes revealed some fragments of the previous brightly coloured previous page made using watercolours and Derwent Intense pens.

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For the second month I am ready to send my sketchbook on at the end of the month, quite a miracle! I wonder what Helen will make of it…

Jean and Carys November 2016

I received the sketchbook back from Carys with some interesting new pages.


I love these colours and labels hanging down into the pages. They can also hang down onto this patterned page below. When I designed the sketchbook I had in mind that each side of the pages might work together and this is a great way of trying to do that. I had lost sight of this possibility over the months. 


This page too uses layers and flaps in an interesting way. We’re just coming to the end of the sketchbook and still bringing in new ways of using the pages.


I wanted to try to use each side of the page to create a scene centred around the envelope window in the page. On this side I used the window as if it was a window in the side of a spaceship. I vaguely remembered the story of a dog sent into space! I also looked for words and phrases that might go with the scene. 


On the other side of the page I worked in a similar way. This scene uses the window less effectively and is more surreal in its use of collage and text. 


It will be interesting to see how our last swap completes the sketchbook. 

Amanda and Jean October 2016

Amanda and I continue our slightly off time exchange – we’re making all the exchanges but they don’t quite correspond with the 1st of the month. Luckily we’ve both equally held on to the sketchbook too long but it seems to have worked out overall. 


As the sketchbooks gets fuller it’s somehow harder to respond as I’m reluctant to make it even bigger than it is already. It’s a real challenge to my ideas of working in the same sketchbook and I think I must get better at working onto the pages instead of adding more pages. When I think this, usually when I haven’t got the sketchbook,  it seems like a great idea. When I get the sketchbook back each indiviudal page is so interesting that it seems wrong to work onto it.


As part of my ongoing one drawing a day I was stuck for want to draw so I leafed through the pages allowing small sections to catch my eye. I was especially attracted by the textile and sewn pages which were abstract but had such great marks and patterns. 


I later used this approach to make some small fragments to add to the sketchbook.


I used watercolour, fine pen and letter stamps. I could often see landscape like forms in Amanda’s pages, as well as interesting colour combinations. 

I returned the sketchbook to Amanda very late in November and I think maybe one more go some time in December before the sketchbook ends up with its originator. It will be interesting to see how Amanda records it digitally. 

Amanda and Jean August 

This month the monster came – our sketch book is getting out of hand, spilling out from the expanded envelope! Amanda had tied it up to hold it together and I’ve mainly kept the pages on the same order, inserting some extras here and there where they seem to fit.


It’s different to all the other sketchbooks I’ve worked in so far in that there’s only traces of a chronological order left, perhaps in our own photographs and blog posts. As I leaf through I come across pages that seem new, but I’m never sure whether they are new or I’m just noticing them this time as I’m seeing in a different way to last time I looked. I’ve found it hard to make any worthwhile prints this summer, making me feel that I’ve wasted my most important creating time. Daily drawing has continued since it’s such an established habit and hard to stop after nearly 1500 continuous posts.


This drawing from imagination was created for our sketchbook and posted as daily drawing. Made in the evening after an unproductive day I was surprised to get some positive comments from social media about it that encouraged me. This long thin form a feature of Amanda’s sketchbook that has interested me in itself, quite apart from what is on the pages themselves.


When it came time to put the piece of paper into the sketchbook as a page I found that it needed a ‘back’. I’ve enjoyed seeing and reading about Tilly Mack’s 100 marks drawing and decided I would impose a rule for this drawing. The rule was to pick up a pencil and start at the left and continue without stopping until I got the the right. This began with continuous line and then developed into repeated marks later. In the sketchbook the two pages spill over a little as the concertina is too long for our sketchbook. Here’s a link to Tilly’s blog Tilly Mack


Over the last few weeks I have come across the art of art of Jean McEwan – you can see it here: Jean McEwan

I love the way she is taking postcards and adding collage to change them. This afternoon I decided to have a go – I haven’t achieved anything as sophisticated as hers and in having a go I realise how hard it is to achieve the simplicity of her work.


These early attempts also relate to the pages made by Amanda below. In common  with the images made Jean McEwan these don’t include text and maybe that leaves them more open to the viewer’s interpretation.


As well the pages I’ve made and added some other pages caught my eye but I haven’t time to do anything with them now. I’ve taken a photo to remind me though.


I’ll be sending the monster back tomorrow to see if Amanda can tame it during September! Here it is, temporarily tamed for a journey back to Amanda.

Jean and Carys, receiving and sending, May 2016

This month Carys had worked on lots of pages and there was plenty for me to respond to. I love the map like pages that have emerged in our sketchbook, the sense of looking at the land from different viewpoints and seeing the shapes and patterns. Carys also introduced some different shapes placed onto and cut through the pages –  the hexagon lattice is something I especially like. Seeing through to other pages so that the view is partial and incomplete is also inspiring to me.

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2016-06-01 17.55.32When I began to respond I had let time run out so I didn’t work on as many pages to send back to Carys.

I fell back on a favourite recurring shape of circles and material of maps presented in a grid. As I did it I focused on the lines on the maps – paths, roads, railway lines and rivers, trying to place the circles so that the lines did not join up across the page.

Looking back now on Carys’s pages this page seems stark and rather under developed in comparison. I also realised that I’ve gone on to use this layout in my daily drawings.

 

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I also made a page of blue papers and drawing.

This is also a rather basic page, inspired by the blue page and amount of blue paper I seem to have at the moment, left over from other projects.

It seems this month that none of my pages make a strong connection to Carys’s pages – I’m not sure why that is as there’s plenty to look at.

The next pages were an experiment I’ve been meaning to try for a long time. I have an old jigsaw and I painted some pieces with blue or white acrylic.

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I had to give them two coats to stop the old picture showing through. I then used a blue and white pen to add patterns. They remind me of a time when I often drew broken pottery, both real and imaginary. Other than enjoying the experiment I’m not sure what the purpose of this is, although looking at them I do like the look and wonder about trying some pieces that would fit together or working out the pattern that these pieces come from and would fit back into.

This hasn’t been my best month so I hope Carys found something in it to work from!

 

 

 

 

 

Sketchbook circle workshop and exhibition

Yesterday I attended my third Sketchbook Circle Workshop and Exhibition at the Gerald Moore Gallery in London. This is a great culmination of the preceding year’s sketchbook circle and chance for some of the participants to make art together and share their sketchbooks circle experience.

2016-02-21 17.02.41I was lucky enough to get a place in Elaine’s cyanotype and chemigram workshop. Both these processes connect art, photography and science in such an interesting way. After having a brief play with the processes I can see there is great potential. I love the deep blue colour of the cyanotype and the way all sorts of collected and recycled materials can be used in combinations and layers to create images. Many participants made much more interesting images than this one of mine! Chemigrams use photographic paper, developer 2016-02-21 17.03.17and fixer together to make images both positive and negative. It was so helpful to be able to learn from Elaine’s experience of using these processes with her pupils and her advice about the materials and suppliers to use.

 

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In the middle of the day we gathered in the gallery for the opening of the sketchbook circle 2015 exhibition.Its great to see some of the pages blown up and displayed as well as being able to leaf through some the sketchbooks themselves on plinths. Although we’ve often seen glimpses of some of the pages on Facebook throughout the year there’s nothing like seeing the entire sketchbooks: their size, shape, the tactile nature of the pages is always a surprise.

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Here are two pages, one from my sketchbook with Mary and one from my sketchbook with Linda.

The afternoon workshop is usually a collaborative and thought provoking experience and this year , as always it was active and inspiring. Susan challenged us in groups to make a performance drawing inspired by a word, some words, sound or music as well as some key materials. This was something I’ve never done before and looking back on it I feel like it gave me an insight into making more conceptual art of a kind that is entirely different to the art that I make myself.

2016-02-20 15.24.05In our group we had this to inspire us (see right). We had the idea to keep our drawing tools still and try to move the paper to create movements that would evoke a tsunami. We had a go and found that as well as the mark making on the paper the sound of the paper contributed to the stormy feeling. We also used the paper to destruction and the ultimate ripping of the paper also related to our word. When we performed our drawing  we asked 2016-02-20 15.18.25the entire audience to be the mark makers all along both sides of the huge roll of paper and we, the group, moved the paper back and forth with increasing violence. The experience couldn’t be fully captured by photography or film because it was all about being part of the group. Although marks were produced on paper the memorable parts of the experience were the sound, the pulling and pushing of the paper, the struggles of the mark makers to keep their drawing tools on the paper and the destruction of the paper.

The other groups devised equally interesting and varied responses, often involving the audience and making us think. The sense of devising a piece of art that would evolve as people took part in it and possibly left no ‘finished’ piece of art gave me an insight into conceptual art and the relationship between making art and viewing art from the inside. Susan reminded us how important it is to inspire pupils and students with one-off experiences that might change their thinking and open their minds.

One of the best things about the day was that I had the chance to get to know my sketchbook partners from last year beyond the pages of our sketchbooks. I had lunch with Mary and then had dinner with Linda and her husband. It was great to talk to each other and hear about their work in school and their lives.

We all owe a big ‘thank you’ to Susan, Elinor and Georgia for the day and the whole idea of sketchbook circle. I can see from all the photos popping up on Facebook in the last twenty four hours how much everyone enjoyed the experience.

 

 

December 2016 receiving for the last time

Jean Edwards1At the very end of December I received my original sketchbook back from Linda, with her last pages completed and rather neatly that took us to the last page of the sketchbook, filling it completely. Over the last few months we had each adjusted our contributions to aim for this so it was great to see it happen.

I like the way Linda has continued my planets pages into her next page, whilst gradually changing the colours to more earth tones. Continuing to use print also allows for a gradual transition from one page to another.

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This continues onto to the next pages where  printing, collage and drawing make layers of colours and marks.

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The final pages of our sketchbook also use printmaking and drawing – techniques we’ve both used often in this sketchbook. We’ve often created these interesting surfaces from papers and techniques through this sketchbook.

I’ve enjoyed collaborating with Linda and looking back to the beginning where I made my own sketchbook its interesting to see the way we’ve sometimes used the different papers that made up the pages, sometimes extending them so that they fold in. I really should have left more space between the covers as we had tie the covers together after a while, as the sketchbook became fuller and began to burst out of its binding. I wonder if the fact that we had very little white paper in the sketchbook was helpful – the clean white page can be daunting sometimes.

 

Mary and Jean #sketchbookcircle2015

 

Here’s a video of the entire sketchbook in order!